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Board Gaming Super Weekend 2023!

For the 7th year running all my buddies and I got together for 4 days of nothing but cold beers, BBQ and most importantly endless hours of board gaming in a remote cabin absent of the hustle and bustle of life. This annual event is always special, but this year it dawned on me that this group has been tight for so long at this point we are like some sort of nerdified fraternity. I can barely think of any other people on earth I could tolerate let alone desire to spend 4 days locked in a cabin with except this motley crew. It was, in a word, a perfect weekend.

Did we play any games? Yes….yes we did. Here is this year’s list and how it went down in the order it went down!

Vampire: Prince Of The City (2006)

If you read this blog with any regularity you might already know that my gaming crew and I love our Vampire: The Masquerade. We have done it all, the RPG, the board games, card games, you name it, we have it. Imagine our surprise during a routine stop at a local game shop on the way to our big board gaming weekend we discover someone made a Vampire game none of us knew even existed!?

This little gem came out in 2006 during the Vampire: Requiem era when White Wolf tried to re-launch their vampire franchise. It was picked up without hesitation and was instantly selected as the kick-off game for our big gaming weekend to the surprise of no one.

There was a lot of discussion about this game on the car ride home, but it was almost universally agreed that, despite being the first game to hit the table, it was the best game of the weekend.

Now I say “game of the weekend” with some hesitation because this is definitely a product of its time and in a class of its own, which is to say that back in 2006 modern board game design in many ways was still in its infancy and were often pet project directed at extremely niche communities. I think if this game was designed today, it would likely have been streamlined, much shorter and perhaps a bit less harsh focusing on a wider potential audience. It didn’t take more than a single play of this game to clearly see some flaws that called for a couple of house rules to make some needed balance adaptations to bring this game into a more modern state.

Despite a couple of warts however, Vampire: Prince of the City captures the essence of the political struggle boiled into the core premise of the RPG on which this game is based with thematic precision. Perhaps the only thing that really mattered to us as Vampire fans and likely the only real design goal the game had. In a word, this is not a game made for the masses, it’s a game made for Vampire The Masquerade fans exclusively.

The game is about a slow but methodically planned hostile takeover of a city run by vampires in which players implement strategies, “acquire” allies, equip themselves with weapons and deal with the nightly troubles of vampire life as they spread their influence and take control.

Mechanically this is a pretty simple game of managing resources and edging very small but critical advantages over each other. Each player represents a would-be prince, a member of one of the five kindred clans, all with nearly impossible-to-overcome strengths and equally impossible to compensate for weaknesses. If you know White Wolfs World of Darkness at all, you know exactly how important this blatant imbalance is to the theme of a Vampire-based game.

Vampire: Prince of the City really nails this thematic horror show of trying to leverage your strengths and avoid exposing your weakness, but more than that, I think even under the examination of a critical game designer, there are some really great mechanics here that are nice and tight and just feel great.

Every action, every play of a card or interaction between players grows an ever-increasing sense of tension and hostility that climaxes with outright attacks that may very well, as it did in our game, leave a player or two feeling the cold and harsh reality of final death (player elimination). This is definitely not a game for the faint of heart, you will win only by completely fucking over your competition in what really amounts to a ruthless embargo on emotions, doing brutally whatever it takes to win.

In short, this is a game for adults and definitely not a replacement for Monopoly, this is the World of Darkness, you’re a monster and you win by acting like one.

I loved it, as did the rest of the crew, but we are sadistic bastards who get our rocks off on take-that mechanics and this game is chock-full of them. If that is not your thing, avoid this game like the plague, but if you’re a Vampire fan, this is going to be right up your alley and may very well be the Vampire game fans are looking for.

One notable drawback of the game and note that I say this after only a single play is that it was quite long. We played the “medium” length game and it stretched into the 6-hour mark. I’m sure some of it was due to the game being new, but we are experienced gamers and this was not a complex game so I think it was long because it’s a long game. This definitely falls more into the “event” level of games, casual gamers need not apply. For us, it sucked up pretty much the entirety of the first day of our 4-day event.

Empires: Age of Discovery

Bright, big and elaborate, Empires: Age of Discovery is a visual treat.

Empires: Age of Discovery has found its way to the big board gaming weekend table a few times over the years, mostly my doing, but I have never heard any complaints. It’s a personal favorite, not only for the theme which while controversial I find fascinating (Colonization) and the fact that I’m a big worker placement fan and this is without a doubt in my humble opinion the Mona Lisa of that mechanic.

To me, this game represents a rather over-indulgence in production value, but I would argue that it’s one of the finest examples of worker placement you will find with a rich theme that is simply enhanced by its visual presence on the table. It’s just a very streamlined and elegant game, that is easy to teach and learn and offers ample strategies all with great depth while being thematic and rich with flavor.

In Empires you effectively colonize the new world by sending a variety of specialized colonists each with special powers to spread all over the frontier. In the process you manage wealth, construction of special advancements and buildings, construction of a military and various other related activities all in a very abstracted way using worker placement mechanics. When you get right down to it, its a game of getting the most out of the limited resources you have, its about timing and position and it’s about anticipating the actions of the other players.

I find it just feels great to have an unnecessarily big map and elaborate components when you have gone out of your way to get together for a big gaming event like this, the fact that this is also a great game is just a cherry on top. It’s a perfect game for such an occasion and even though hauling that fat ass box was a pain in the ass, as it always does, this game fired on all cylinders.

To me, this is a classic in the board gaming world that takes the simplicity of one of the all-time great, game mechanics, worker placement and improves upon it while never making it any more complex. It’s really just great game design and though some might argue that a game about colonization is edgy, to those I say, shut the fuck up, it’s just a game.

Robo Rally

This game falls into what I like to call, “the silly category” of gaming, which I think should probably be its own genre. Like Galaxy Truck, Munchkin, Kitchen Rush or Sheriff of Nottingham, it’s not a game that either takes itself seriously or expects you to have a strategy while playing it. All you should expect from Robo Rally is that it’s stupid-silly fun and if that is what you get out of it, the game has met its design goal.

In Robo Rally you and your opponents each move a little robot through an obstacle course full of traps, walls and elevator belts, but the catch to the game is that you have to pre-program your robot with a limited set of options 5 turns in advance.

All manner of chaos ensues because the other players as well as the obstacle course are going do the unexpected and what seems like a simple exercise in planning quickly turns into a hysterical shit show.

Now I will argue that the game has a very unnecessary and not particularly well thought out “upgrade phase” where players pick and buy their upgrades which slows what would otherwise be a snappy game. My group by our second play eliminated this from the game by creating a quick drafting mechanic instead for the upgrades which just fixed the problem in one fell swoop.

Still, even with this upgrade phase, the game is a lot of fun, I would definitely consider it for the family as the rules are really simple and the game has a very kid-friendly “cute” aesthetic.

Smart Phone

Every time I play Smart Phone, I find my comments about the game are always the same. This is one of the finest examples of great game design I have ever seen, it is, a perfect game.

I adore this one and it has never let me down. It’s made the big gaming weekend several years in a row, I’m fairly certain since it found its way into our collective collections and I suspect it’s going to continue to make the cut for many years to come.

This is an economic simulation about players running mobile phone companies trying to produce and sell, phones all over the world. That, I will admit, does not sound like a particularly exciting theme and the hipster on the cover of the game box really does little to inspire interest but let me tell you that this is, without a doubt, one of the best Euro games you will ever play and I say that without reservation.

Its mechanics are perfectly tuned, it’s puzzly and thinky, honestly, it will melt your brain at times, yet it’s not at all complex or heavy, in fact, I would say this falls into the light category of games. It’s really just a merger of great mechanics, exceptional attention to detail and efficiency while being extremely competitive with fantastic replayability.

People that don’t play board games often ask me what I recommend for a beginner and while I would be hesitant to say Smart Phone because I do think there are better games for introductions, I actually do think that a non-gamer that plays this one risks becoming a full-blown gaming nerd. This is just one of those games that will suck you into this hobby because it’s such a great representation of why gamers game.

I would universally recommend this game to pretty much everyone.

Condottiere

This is a stone-cold classic trick-taking game that belongs in every gamers collection.. period. I’m not sure what else to say about it.

The simplicity of the trick-taking mechanic is enhanced by cards having special powers while the area control mechanics give each round a strategic edge. In a sense, it’s not necessary for you to try to win every round, often you are just trying to draw people into a competition so that they waste cards as you prepare for the more important fights later on. There is a lot of push-your-luck, a bit of card counting and predicting your opponent’s intentions and though the strategies can have a sort of subtle complexity the rules of the game are easy for even the most casual non-gamer. Its a game for everyone.

I have introduced countless people to this game over the years, I have given away 3 copies (I’m currently trying to track down a 4th copy for myself).

Great for road trips, camping trips, for families, as a pallet cleanser for serious board game nights.

Great stuff, you don’t own it, you should, I don’t care who you are.

Highlander The Board Game

A movie-turned tv series turned cult classic, The Highlander franchise is beloved by fans and a completely bewildering mystery to everyone else. No surprise really that someone would take this franchise and try to turn it into a game, targeting the countless gaming nerds out there and even less surprising is that they would fill the box with miniatures and high-quality components to make it as expensive as possible.

The question is, is it a good game and the answer, it pains me to say, god no. This game was made by someone who clearly understood the material and what would excite fans of the franchise, well researched making extensive use of screens shot from the movies mixed in with some original art but at the end of the day as a game there is very little to love even if you have affection as my gaming group does for the franchise itself.

I think the best description I can offer here is that the game is about as random as it can be, boiling down to a dice roll-off with some very rudimentary odds control.

The cards you could acquire were mostly inconsequential with a few exceptions that would result in huge balance issues, it was unnecessarily slow and long in places, and it had player elimination and at the end of the day winning or losing boiled down to winning a dice roll-off and drawing the right card at the right time (beheading).

There was a sequence for “The Gathering”, but you would have to play the game for many hours before you are ever likely to reach it, in fact, I would say that the odds of “The Gathering” ever actually happening are extremely low.

My gaming group of course had fun with it as the movies and tv shows are infinitely quotable and we are all hardcore nerds, but as a game Highlander was less than stellar, hard to recommend even to fans of the franchise.

Broom Service

Broom Service has been in my collection for several years and though I have played it casually with my daughter and occasionally with the extended family, my bringing it to the big weekend with my gaming buddies was a bit of a risk. I wasn’t really sure how strong it was in terms of what more experienced gamers would get out of it.

It’s a very simple game, part card game, part board game with a push-your-luck element and some rather simple strategic positioning. This wasn’t going to be a highly competitive strategy game and though the theme is silly (witches delivering positions in a magical kingdom), it’s not in the “silly genre”. Its a family game pure and simple and that isn’t always a good fit for my gaming group.

With that said, Broom Service is actually quite clever and very unique, I don’t think I have ever played anything quite like it and though it’s simple, it’s also quite short and snappy so it doesn’t overstay its welcome.

I didn’t get a particularly good bead on what my gaming group thought about it, the comments were quite generic “it was fun”.. etc.. but for me personally, I like family games and I think this one falls into the same category of games like Takenoko, Ticket To Ride or King of Tokyo. It’s simple enough to pull out with kids, family and non-gamers but clever enough to make it palatable to more experienced gamers.

I don’t know if I recommend it for seasoned gamers for a veteran table, but so far as family games go I think this is one of the good ones.

Lords of Xidit

Lords of Xidit made its first appearance at our big board gaming weekend a few years back and though everyone was in agreement that its a great game that was the last time we actually played it. Now in its defense, we are gamers and we all have way more games then our shelves can store, games have a way of falling through the cracks and eventually emerging with everyone making the statement “oh yeah, this is a great game, I remember!”

That was more or less my reaction to this one, I recall liking it a great deal the first time I played it and I felt the same about it this time, I believe the rest of the crew agreed.

In Lords of Xidit you move your character around a board taking one of two types of actions at different city locations. Either you are recruiting one of 5 types of units or you are fighting monsters with the units you collected previously. The objective is to build magic towers, build up your treasury (gold) and gain renown tokens. The player that does all three the best wins the game. Simple right!?

Well, the catch here is that you must pre-program your actions 5 actions in advance and each action is executed in turn order around the table. The results can be very unpredictable as players might get to a place before you, killing a monster you planned to fight or stealing units you meant to get or building a tower where you planned to build and so on.

The game is really about trying to predict what the other players will do and timing your pre-programmed actions in a fashion where you maximize your turn without losing anything.

The scoring in this game is particularly clever because rather than simply scoring points (the highest score wins), the game-end scoring is a process of elimination in the 3 different scoring methods. For example in the first scoring phase, you might score who has the most gold, but it only matters that you are not last as the last player will be eliminated from the game and doesn’t participate in the next phase of scoring. You do this for all the methods of scoring and the last player remaining is the winner. Hence the game is really about doing well enough not to be last in each category. This scoring method creates a very different approach to the usual victory point salad winning condition.

This is a really well-designed game and severely over produced as the components are wonderfully overcooked and colorful. The game just looks great on the table. It’s about a light to medium level of complexity, there is some rules and fiddliness but its fairly limited.

As a whole I really liked this game, it’s just the right length, the turns are very fast and there is a pretty smooth streamlined feel to it with a great feeling of competitiveness. Really fun, I don’t know how the rest of the guys rate this one but its definitely on the recommended list, in particular, if you like pre-programing action games.

Spirit Island

I know I said that Vampire: Prince of the City got the vote for best game of the weekend, but it would be dishonest if I said it was a blowout. Spirit Island was absolutely fantastic and a big highlight of the weekend, a very close second.

This is a deeply complex cooperative game that has enormous amounts of dynamics and intricate details that round after round challenge you to solve the puzzle of optimizing your actions. You have to anticipate the next turn as you work on solving the problems of the current turn….. and man, this game is sooo hard.

I will admit I think for the first half of the game I was completely lost, there is no question that this game has a fairly steep learning curve, not just to grasp the game, but to really get a handle on the strategies and mechanical manipulation involved.

In Spirit Island, you are gods of sorts, hell-bent on protecting an island from invading mortals who seek to build cities and pollute your paradise. Each player gets a unique “Spirit” with a variety of special powers, benefits, and drawbacks. You must work together to bring fear and retribution on the invaders, but they spread like a plague each round and the game is almost a-sort of impossible to solve puzzle of trying to curve the domino effect of their growth into a domino effect of destruction.

Each invading civilization, just like the spirits you represent has its unique powers, benefits, and drawbacks and a big part of the game is trying to figure out how to sort of outdo them in the back and forth of play and counter-play.

It’s you and your friends vs. the game itself and while in my personal experience, there have been very few purely cooperative games I enjoy like Lord of the Rings The LCG, by contrast, most fall flat with me (pretty much everything else). With a couple of exceptions, I just generally don’t like cooperative games.

I was however immediately sold on Spirit Island as it is this really great, robust, and fulfilling gaming experience that challenges the hell out of you, and because the game has so much dynamic setup between the different spirits, the design of the island and different civilizations it’s hard to fathom how many different possible combinations there are. The replayability here is quite endless.

This is solid game design, it’s no surprise this game has been sitting in the top 10 on boardgamegeek since its release. It really is that good, well deserving of all the accolades it has received including prestigious awards like Best Coop Game of the year and BBG’s best board game of the year.

Awesome game, that deserves to be played but be weary, this is a gamer’s game, don’t let the pretty art style fool you.

Game of Thrones: The Board Game

This is a game that is played in the minds of the players, the board and pieces are mostly distractions.

Ok it has to be said that while I absolutely adore this game, the last couple of times I have played it have been a disappointment.

A couple of years back we played the game for the first time with the Targaryan expansion and that turned out to be an unbalanced mess, resulting in a very anti-climatic ending, that made the winner (that was me) feel like I lost the game.

This year we played a 5 player vanilla game in hopes of recapturing some of this game’s past glory, which meant we had to fill the sixth seat with garrison units and the result was a quick and sweeping victory by the Baratheon player, which, much as It was the last time we played, very anti-climatic.

So here is the thing, some games just don’t play well and/or as is the case with Game of Thrones, are simply not balanced for anything short of a full table. In this case six players.

This is the lesson here. Game of Thrones The Board Game is an amazing 6 player game and pretty mediocre at any other player count.

That said, I still think this is a really fantastic game as long as you meet the six-player requirement for it. The game really feels like a strategic struggle where players are trying to make trick moves, build temporary alliances and do just enough to one-up each other into a victory. It’s a game of subtle movement and positioning, of setting up your prey for that perfect, unstoppable execution at the perfect and most dramatic moment, risking it all. You win or you die, this game really brings that spirit to the table.

When Game of Thrones fires on all pistons, when you have a full table of six experienced players that really know what they are doing, know what to look for, and know how to counter moves, it’s just pure magic.

When it doesn’t fire on all pistons, when you are short on players or you have a player or two that is really inexperienced, the game can and often does feel like either a king-making situation or just a series of blunders that allowed a player to win far easier than it should because someone wasn’t paying attention.

Suffice to say it makes Game of Thrones a rather irritating game, because you want that awesome gaming experience but you simply can’t get it every time you play. You are going to have to suffer through the bad games, to find the good ones, which actually makes this one tough to recommend.

I would say that if you have six players who are ready to dedicate themselves to learning this game well and play often, I really believe this could be one of the best games ever made. For the rest of us who play inconsistently and have to settle for lower player counts, I’m fairly certain, my recommendation would be to not play it. It’s just too heartbreaking to play this wonderful game, in particular, if you know what is possible and then being disappointed because the game didn’t deliver on the promise.

I struggle to find the words that sufficiently describe what Game of Thrones the board game means to me and my gaming group, it is in a sense, a part of our cultural gaming upbringing, we all see it in a light that I think the game struggles to live up to these days, but its not because the game is bad, its because it’s demanding. It demands a group of six players and it demands dedication and study of the game to get the most out of it. If you can’t meet these demands, it sort of doesn’t really live up to what it’s capable of. I don’t know if that makes sense, but, that is really the jist of where I’m at with this game.

I want to play it, but it’s only good under perfect conditions, outside of that, frankly, it’s pretty bad. You have no idea how much it pains me to say that.

Vampire Vendetta

If it wasn’t for Vampire: Prince Of The City, without reservation, I would tell you that for Vampire The Masquerade fans, this is THE game to play. It has some competition now, but for some fast-paced gothic horror, Vendetta is king.

This is a very straight-to-the-point kind of game. You are a vampire from one of six clans. Your powers are represented by action cards which you use to take control of one of 4 city locations. You spend blood to power yourself up and play games of chicken against your opponents. For winning you score influence (victory points) and gain allies for your cause. For losing you get nothing.

It’s a brutal struggle of trying to exaggerate your strengths and avoid exposing your weaknesses. Every Vampire is unique and not only defines how you play, but how you feint, how you manipulate and how you threaten.

I can’t say enough about Vendetta, for me it was love at first play and this one is very quickly becoming a household favorite thanks mostly to the fact that you get this really robust, fully fleshed-out gaming experience in about an hour. Even if you are not a Vampire fan, mechanically, from a perspective of design, this is an extremely efficient and streamlined game, it’s just good design period.

I love this one, it’s without question one of the most underrated games I have come across in years. On BBG it’s sitting in the 2,750 spots with only 857 ratings.. it’s outrageous! Are you seriously trying to tell me that Go Nuts For Donuts is better a better game than Vampire Vendetta.!!?.. Get Fucked!

To me, this is at least a nominee for Game of the Year in 2020 if not a winner. It’s a must-own!

Hansa Teutonica

Who would have thought that a Euro game made in 2009 could feel fun, refreshing, unique and engaging in 2023!? Honestly most Euro games I play from this era feel like an old used shoe, familiar but still kinda nasty.

Hansa Tuetonica debuted in our big board gaming weekend last year and I personally demanded it be played this year, I thought it was that good.

Mechanically the game is quite simple, as is the case with most Euro’s, its about putting cubes in the right places, at the right time and scoring victory points. Ok, so perhaps its a bit more than that, but this is a game about the strategy of positioning, but its simple, tight as hell, streamlined to perfection and despite the usual “its a game about trading” of Euro-game themes, this one actually kind of nails it.

I don’t know if Hansa Teutonica counts as a classic, but of all the games I have played from this era, and there have been many, this is one of a very tiny handful that I think is worth the cardboard it’s printed on. Its definitely old school, but its quite clever and very competitive.

Great game, if you love Euro games and especially if you love old school Euro games and you haven’t played this one yet, I feel quite confident when I say you have missed one of the best ones. It holds up and is a strong candidate for being one of my personal favorite Euro Games.

Good Stuff!

Conclusion

This was an awesome 4 day weekend and to the surprise of no one, these big board gaming weekends are always the highlight of the year so far as gaming goes.

There were quite a few games that were on my “wish list” that we simply didn’t get to. Eclipse: The Second Dawn For he Galaxy was clearly absent from the list here, I did bring it but we just didn’t have the table space for it this year as we gathered at a different remote cabin than we do most years. It was a bit smaller so it got skipped, which was a real bummer.

I was also hoping to get Great Western Trail to the table at this year’s event but unlike most years when we would have different player counts for different days as not everyone typically goes for the entire 4 day weekend, this year we had 5 players for all 4 days. So it didn’t make it, it was a real shame, been itching to get this one played.

We also didn’t play any small games that we normally do and I felt their absence. No Coup or Love Letter this year, no BANG the dice game, no Resistance or One Night Ultimate Werewolf. It’s great that we played so many big robust games, but I love me some mini-games.

I also didn’t get an opportunity to play any 2 player games. Last year on the first night of the weekend it was me and my buddy alone for most of the first day and we managed to squeeze in Imperial Struggle and Star Trek Fleet Captains. Imperial Struggle is my absolute favorite two-player game and it’s been far too long since it’s hit the table.

That’s it for this year folks, another Big Board Gaming Weekend behind us, see you next year!

The Gamemaker Studio Journey

I have never advertised on my blog the fact that I make my own games, mainly because… frankly I suck at it! That said, I have really enjoyed working on my games over the years and though I have never published anything and aside from my daughter and I no one has ever actually played my games, it is something I do and it is part of my gaming experience which is what this blog is all about.

Today I want to show off a bit because even though my games are pretty crap in the big scheme of things, they are mine, I made them myself and I’m quite proud. More than that however I want to show my appreciation for the wonderful platform I use (Gamemaker Studio 2) and in particular the amazing Gamemaker community that helped me, encouraged me, and got me to the point where I am today, a full-fledged, very inspired hobbyist who can develop his own games.

GameMaker Studio 2 & The Community

The gamemaker studio platform is without question one of the best ways to learn game development there is out there today in my humble opinion. Yes, there are many platforms that advertise “learn to develop games the easy way”, but I have personally tried nearly all of them and Gamemaker Studio is the only one that not only stuck but proved the marketing pitch. You CAN learn to develop games using this tool and it really is not that hard.

Simply put, if I can do, I know that anyone can, this is the objective truth!

What makes it so? The answer is quite simple and comes in three parts.

First is that the tool assumes you are not a game developer and that you will be making simple games during your education and so there is no theory to learn. You quite literally will have a functioning playable game on your first day with the tool if you follow along the tutorials and within a week you will complete your first game.

Second is that the support from the community is unprecedented. You will not find a more inviting and helpful place on the internet than the Gamemaker Studio forums. Not only will they encourage you, advise you, and answer questions, but you will find yourself very quickly being sucked into Game Jams, collaborative efforts, and above all else, inspired.

Finally and perhaps most importantly is the tool itself. Its logic, is laid out in a clean and easy-to-understand way and you don’t need anything more than what the tool gives you (at first) to get yourself going.

I can’t say enough about how Gamemaker Studio made learning to develop games easy for me. If you’re looking to turn making your own games into a hobby, this is the place to start.

Ok enough about the sales pitch, let’s see some results!

D.E.F.C.O.N 1

DOWNLOAD & PLAY

The first game I made was modeled after an old arcade classic called Missile Command but of course with a twist. This was actually quite an ambitious first project for me and I was definitely in over my head in terms of the level of code I needed to write compared to my skill level.

Still, I managed thanks to some great tutorials and a bit of advice from the gaming community.

In the title screen, I teach you how to play, surprisingly enough learning how to create GUI’s in Gamemaker Studio was almost as much of a challenge as making the game itself. Note that mouse-clicking doesn’t work to start the game, you have to use the arrow keys and hit enter.

In Defcon One the objective is to protect cities from a nuclear attack by firing countermeasures (missiles) at incoming nukes. The trick to the game is anticipating where nukes will be as they fall from the sky and targeting ahead of them so that when your countermeasures arrive at the targeted spot they blow up the nuke.

The game uses ammunition that is slowly replenished when your countermeasure missile silos are closed (when you are not using them). It’s actually a very fun game, quite loyal to the original Missile Command, though I have to admit I had a lot of trouble balancing its difficulty and never really got it quite right. At some point, I just decided it’s done enough and left it as it is, without a doubt, one of the most impossible games to complete. There are 5 stages of increasing difficulty.

The graphics are very basic, all of the artwork I did myself and I’m not much of an artist, nor did I really focus on it. I mainly just wanted to get the game working.

The most difficult part of the game development was getting the targeting element working. I struggled a lot, at one point I was stuck for several days before I got it working. While the game was quite challenging to develop I finished it in about 2 weeks.

I think for a 1st game, it still holds up and I still sometimes pull it up and play it.

Mars Lander

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With my first effort behind me, I was tempted to get even more ambitious but I found that most of my original design ideas were terrible and after building several prototypes, I didn’t think any of them were worth finishing. I decided to see if I could get lightning to strike twice and made another retro-clone, this time of a classic game called Moon Lander, which I called Mars Lander.

I found that by working with an established game design, I could focus on game development which was really what I wanted to learn. I always figured that in the future I would design an original game, but I figured at this stage I was still just trying to learn.

I didn’t spend much time on the title screen and again mouse clicking doesn’t work, you have to use the arrow keys and hit enter to start the game.

Mars Lander has a simple premise, fly your ship from one landing pad, to another. This of course is a physics-based game that forced me to learn an entirely new element of coding, but it was actually quite easy and fun. In fact, I think of all the projects I worked on even up to this point, this was one of the simplest and fastest games to get finished. I had it done (start to finish) in 3 days.

In Mars Lander, you use the A, D and Space Bar to control thrust and the arrow keys to control the angle of the ship. You can restart the game with the R key. You must land on the yellow or red pads on the other side of the map.

It’s part exploration, part physics control and it’s hypersensitive. You must land on the pads very softly or you will explode.

There are five levels, each with a different set of circumstances and maps. On the later more difficult maps, the gravity changes on you, so the ship starts to feel heavier when going through certain areas. Of course, the big thing is that you have limited fuel, so you must make your landing before you run out and your score is based on how much fuel you use, less is more.

Moon Lander was a game I played a lot back in the day and it’s still a lot of fun, though Mars Lander, my version is a lot more frustrating than I remember Moon Lander being.

This wasn’t a terribly challenging game to make as the physics engine in Gamemaker Studio is quite easy to work with. The biggest challenge was getting the sensitivity right.

Mars Lander gave me my next idea as well. For my next challenge, I wanted to do another Retro-Clone but I wanted to create an original version with lots of bells and whistles, essentially taking a simple game and cranking it up. At this stage, I realized that making retro-clones was actually a really great way to focus my game efforts on game development, rather than game design and this would prove to be a really great way to learn.

Super Asteroids Metal

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As you can probably guess, my next game was based on Asteroids, but it is so much more than that. I took all the lessons from my previous efforts and applied pretty much everything I knew to this next project. I also put considerably more effort into the art of the game and tried to make it a much more complete game than anything I had done to this point.

Super Asteroid Metal really tested my knowledge to this point, but it would also prove to be one of my greatest lessons in what not to do in terms of code. It’s a spaghetti mess that I was barely able to finish and I learned the hard less that games that get more complicated really need to use a game state engine which notably is not a feature in Super Asteroids Metal but would be in every game that followed.

Super Asteroids Metal has a lot of features including a radar system, ship upgrades, and various physics effects and it uses particle systems. I spent a full 3 weeks working on this game, without a doubt the biggest game I had made to date. One of the major challenges of the game is that at this point I didn’t know how to build a game state engine, so what you see is a very robust series of timed executions using a wide range of terrible methods I would never recommend to anyone. The game works, but holy shit is the code a mess.

I learned a great deal from making this game, in fact, I consider this game to be sort of my threshold game. Upon finishing I really felt like, at this stage, I could create anything I wanted. I was wrong of course and this poor self-assessment would result in me creating at least a dozen failed prototypes before my next success, but it was nonetheless a huge confidence builder for me.

In Super Asteroids Metal the premise is quite simple. Clear the Asteroid field just like the classic game, but the controls is what I think is the really cool thing here. You control your ships facing with the mouse, the right mouse button is your thruster and the left button is your guns.

Be sure to use your radar, it really is the trick to successfully completing the game.

The game uses physics however and you float around depending on your speed in the direction of the momentum from your thrust, a bit like real space. You have no speed limit and you don’t have any friction so the only way to slow down is to create opposing thrust. You have an indicator that shows which direction you are traveling and how fast.

I got pretty damn good at this game after testing it for hours upon hours, but it’s a pretty tough game.

It can be a bit buggy if you have multiple monitors because your mouse can shift between monitors as you play and you can sort of shift out of the game, so playing it on one monitor is recommended.

There are several levels of difficulty and yes, It’s possible and I have finished the game.

There are also a number of surprises like planets with gravity and various types of power upgrades, including a shield. All things you need to leverage to successfully complete the game.

I’m really proud of this one, it took a lot of effort to complete the game and I worked on it relentlessly during this three-week period.

After I complete Super Asteroid Metal I started to grow ambitious and really wanted to create an original game and compete in a Game JAM. Game JAM’s are a sort of competition where you sign up, you get a theme for the game you will develop for the competition and a very short amount of time to develop it, typically a few days or a couple of weeks.

I wanted to do it with people in my local area so I joined a private game JAM in Sweden and as fate would have it, the theme of the game JAM was “Retro Arcade Classic”. So while I fully intended to create an original game, I found myself in a situation where I had to make another retro-clone anyway.

Space Invaders

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Space Invaders is an all-time classic and I wanted its creation to be done in the time frame of a Game Jam as a sort of training step to get myself ready for participating in Game Jams myself. It had been something I really wanted to do for a long time and while I had sort of participated in game Jams before, I have never submitted anything.

The mouse works this time! I was worried about time so I didn’t not waste it on making the title screen.

I spiced up my version of Space Invaders by making it a mouse-controlled ship that turned on its access. I also used my ammo idea from DEFCON 1, so you had to replenish ammo in the station protected by the shields that could be destroyed and I created a forever system, meaning that the game gets faster and faster as you complete each level and it goes on forever.

This is a really clean game and all of the art is original.

I think it turned out really great not only as a version of Space Invaders but my code was quite clean. It has a persistent game state engine, I was very efficient in how I wrote the code and I documented the whole thing managing to finish it in just under 3 days.

While I don’t think it’s my best game, it’s definitely my best code and project, I mean this thing is clean as a whistle, I doubt even seasoned programmers would find much fault in how I wrote it.

Going Further – What’s Next

I’m at a point now where I have a few games under my belt not to mention countless prototypes and experiments that I’m ready for new challenges. My greatest ambition is to create an original game, one with a clever story, something that I could actually release in a more public environment than this little blog. An indie title that would allow me to say “I’m an indie developer” and not be a liar. Not that I aspire to become an indie developer but I just like the premise of feeling like one.

I came up with a game I call Quantum that I have been working on for quite a while both conceptually and in prototype form. The basic premise of the game is that you are a microscopic “creature” that must feed, grow and survive in an ever-changing and increasingly hostile environment.

The game actually is a kind of series of microgames that slowly combine to create a more and more complex single game. Initially for example it’s a side-scrolling shooter, but as you go to the next level it becomes a top-down and side-scrolling shooter. With each new level, something new is added to the existing game mechanics, requiring you to juggle more and more mechanics.

Will it be something or just my next failed prototype? Who knows, but what I can say is that each new game is an exciting journey, the next step into a larger world of game development. Each game makes me smarter, each new game makes me faster and more proficient. I started this article by saying that if I can do it, anyone can and I hope if you are reading this and you have the ambition to make your own game you find my journey to be something that inspires you to try. It’s tons of fun!

On The Table: January – February 2023

It’s been a while since I have done an On The Table article, but it’s not because I’m not playing games, it’s BECAUSE I’m busy playing games.

I cover two months this time, and there is plenty to discuss.

Great Western Trail

While dubbed a heavy Euro game, while there is a lot going on and the strategy goes deep, it’s surprisingly easy to get into.

My experience with Great Western Trail has been a rather turbulent one. When I first reviewed the game back in 2017 I’m not sure I painted an entirely flattering picture of the game scoring it at 3.1 in my review, giving it weak scores in the area of Theme and average scores in Gameplay. Looking back at that review, I can say here and now that I think this game deserved a little bit better.

For starters, I think it captures the theme of being a rancher driving cattle quite well though the theme here is really not a critical component of enjoyment of the game. I also criticized the game for lacking interaction and while the game doesn’t have “take that” mechanics, the obstructions of buildings, the race along the rail lines, and the forced actions to player actions is a constant in the game. In the end it is a lot more interactive once you play the game at a higher skill level where those sorts of elements (obstruction in particular) become quite critical to winning the game.

I initially got back into this game because of my daughter, but ultimately I spent a great deal of time playing Great Western Trail on BoardGameArena.com, a site where you can play both the 1st and 2nd editions of the game including the expansions.

Now personally I own the 1st edition and have played enough of 2nd edition to say plainly I think they got it right the first time. The 1st edition of the game is a bit harsher and it was clear that in 2nd edition they softened things up a bit. There are only slight changes but most of the changes make the game in a sense, a bit easier on the players.

The cities where you place your round tokens which represent locations you have delivered to are less penalizing, while the bandit track (formally known as the Indian track in 1st edition) doesn’t have any penalties either when claiming the tokens. The new and adjusted buildings in 2nd edition are also a lot more generous.

Regardless, 1st or 2nd edition, Great Western Trail is a really amazing strategic game that takes planning, resource management and clever maneuvering to come out on top. It’s a challenging game that really delivers a great victory point salad without overburdening you with tons of options with one always being an obvious and really only good one. Every choice you make in Great Western Trail means you have to give something else up, so it’s always a decision between many great choices and your decision ultimately rests on your long-term strategy, while very often being driven by your desire to outpace or obstruct your opponent’s efforts.

I play Great Western Trail games several times a week and have become quite competitive at it and despite repeated plays I’m still discovering new strategies and finding clever ways to improve old ones.

Fantastic game, and comes highly recommended by me.

Caesar: Rome vs. Gaul

Caesar: Rome vs. Gaul has proven to not only be a great strategy game in the CDG influence control genre but has deepened my love for historical war games in general.

I had two separate opportunities to play Caesar: Rome vs. Gaul and my opinion of the game has only improved with additional plays since I originally reviewed the game back last February. The game even made my Top 20 list for 2022, sitting very comfortably in the number 5 spot.

What does that mean? Well simply put, I love this game and for so many reasons.

For starters, it’s infinitely replayable which I honestly didn’t think would be the case given the very static starting setup and the very firm goals of Caesar in particular who has a very clear set of tasks to accomplish each game. This is a card game however and from this are born all of the dynamics and nuances of play that really re-write the circumstances with each game and though the first round might be a bit “standard” as players are likely to have their favorite opening moves, like chess, that does not result in a repetitive game at all.

Caesar is really a game of chicken and pushes your luck in a lot of the strategy that ultimately plays out. Caesar and his powerful army can easily crush any Gaul opposition well into the late game and while mobile, the map is just big enough that obvious gaps in defenses are exposed when he leaves the safety of Provincia.

As such a big part of the strategy for the Roman player is to know exactly when and for how long Caesar’s army can leave his supply lines exposed.

For the Gaul player its an entirely different game. There is less precision and a lot more gambling, as well as the constant need to put influence pressure on the Rome player to keep him concerned about what is happening on the board. Left unchecked, the Gauls explode in the late game and can even become strong enough to oppose Caesar himself in the final rounds.

The game has great tension, and relatively simple rules, it looks amazing on the table despite the use of chits (notably this is a game that deserves some pimping) and above all else it has that “let’s setup again” feeling to it.

Absolutely adore this game though it is not my favorite CDG Influence Control game, that honor falls to Imperial Struggle, but this game doesn’t play second fiddle, it really is its own thing and happily shares a shelf with Imperial Struggle in my humble opinion.

A must-have for CDG Influence Control fans and especially those that have a love for Roman History!

Game of Thrones: Hand of the King

A quick and thinky filler with a fun theme.

This silly little abstract game has virtually nothing to do with Game of Thrones beyond familiar art and names and has been a hit with my family, in particular, my daughter over the course of the last year. It hits our table regularly and is always a must-bring on any outing that might offer an opportunity to steal a few minutes to play a game.

It’s a simple game of collecting cards of the major Game of Thrones houses represented by characters from the Song of Ice and Fire story. Nothing too fancy, it only takes 10-15 minutes to play but it is a bit think, definitely a little puzzle to solve here but there are some take that cards in the game which create some rivalries at the table and it even has some occasional teamwork triggered when one player is getting ahead. Very tight game, rarely does anyone win until the final moments which gives the game a sense of urgency.

All and all for such a simple and fast game it is a lot of fun. Usually, we end up playing 2-3 rounds every time it comes out. If you’re looking for a great group filler that works one on one, this is a great one.

My City

The only legacy game I ever finished and would happily have a second go at.

I’m not big on legacy games, in fact, to date with this one exception they have all been disappointments and not because I didn’t like the game, but because I never get the chance to play out the entire legacy. Legacy games seem to wear out their welcome before they are done and are regulated to the classic “One of these days we need to finish X game” conversations; eternal. I’m looking at you Vampire: The Masquerade – Heritage!

My City is different because not only is a great game, but it’s pretty fast, the legacy adaptation is pretty simple to understand so you don’t have to re-learn the game after each play and you can usually sit down and play 3-4 games in under an hour so you kind of zip through it. In fact, you kind of wish it was a bit shorter, although when the legacy game is done you are left with the core game which in on itself is actually quite fun. Since my daughter and I play it just the two of us and it’s a four-player legacy game, we actually run through it twice with the same set though the game is so cheap that it’s no problem to buy a second copy if you want to do a second run through.

Really enjoyed this one, so far as legacy games go this is the only one that I have actually finished and without feeling like I have to “suffer” to get to the end.

Age of Civilization

A Civilization building filler? Yes please!

Age of Civilization is what I like to call a micro version of Through The Ages even though the two have little more in common than a theme.

This is a simple and fast-moving card game where players are moving through time and taking one of three actions per round available for any given period. There is war, there are civilizations with special powers, and it’s a point grab to a rapidly approaching ending. A Civilization building game in under 15 minutes! I don’t know if anyone asked for that, but they made it and frankly, it’s just short enough not to wear out it’s welcome and it does tickle that Sid Meier Civilization G-spot.

It actually reminded me a little bit of Nations: The Dice Game which I actually think is one of the best Civilization building game fillers on the market today, but this one is actually even faster!

This little gem is a blast from the past, I actually used to play this one daily online for months and its big brother Nations is an awesome game in its own right.

I like it enough to play it for free on BoardGameArena.com and if it was available I would buy it but this Kick-Starter went fast and seems to have disappeared from the marketplace.

A Feast for Odin

The jury is still out on this one, my initial experience I would describe as “confusing”.

I played a “learning” game of A Feast For Odin and oh boy is this a mind-fuck of a beast. I mean I don’t want to say anything negative about it, learning experiences are not a good basis for reviews and frankly 90% of the time playing this game for the first time I had no idea what was going on.

Part puzzler, part worker placement game, part resource management…. and a whole bunch of other stuff. There is a lot going on in this game, just the amount of worker placement options is mind-boggling and man is it unforgiving. You place one thing in the wrong place and you can potentially screw yourself for the entire game.

All I’m going to say at this point is that it certainly piqued my curiosity, I will definitely be getting this one to the table again but I have to say it might be a bit much for a Euro game. I mean I get it, it’s for Mega-Euro fans that want some meat on the bones, the Terra Mystica crowd as I like to call them, but for me, the fun bit of a Euro game is that they are short and thinky. The longer heavier stuff tends not to be my thing in the Euro-Game scene even though big epic board games are definitely my thing. I need theme and player interaction however for long games to stick the landing. This one felt a bit like we were all playing a solo game, the bulk of the interaction was in stealing each other’s worker placement spots.

We’ll see how it goes, but at least unlike Terra Mystica which left a pretty poor impression on me, I recall my conclusion to Terra Mystica review was …and I quote “The entire game just felt like I was waiting for a dentist appointment, I was neither enjoying my wait nor looking forward to my turn, I just wanted the whole mess to be behind me.”

Over-hyped and overrated snooze-fest not worthy of your shelf space or table time. There are far better-cube-pushing Euros out there. Perhaps Feast For Odin will be one of them.

This one fared quite a bit better, but it’s on my “try again and see” list.

Ark Nova

I did not care for this game one bit, long, ugly with stock photography as its primary art asset and a complete absence of any meaningful interaction between players.

I’m going to take a lot of shit for this one given its high status on BoardGameGeek, sitting pretty in the number 4 spot but…. god I hated it.

This was just a pointless game of collecting and trying to house animals which as a theme in on itself was not terrible but you had to look at this really crap stock photography the entire time and the game was just way too long. It says 90 to 150 minutes, you can safely double that. This is a 3-4 hour game that really just doesn’t have the nuts to warrant table time with virtually zero interaction between players.

I don’t usually rush to judgment after one play, but having played this game once I not only never want to play it again, I actively avoid being put in a situation that might result in me having to out of social graces. It’s games like these that cause me to ask “what games are we playing” before accepting an invitation to board game night.

Conclusion

Of course, these weren’t the only games I played in the last couple of months, but they were the ones that stuck out.

Good luck out there folks!

MY TOP 20 BEST GAMES OF ALL TIME 2022 EDITION

2022 was a very busy year for me and unfortunately, I probably played fewer board games this last year than I have since the late 90s. Still, I played quite a few compared to what I think most people actually play and of course, I made quite a few new discoveries that were worthy of consideration for this list.

This year’s list sees some shuffling around and a couple of new editions as a couple of games exit, but there were no shocking revelations. With that out of the way, let’s talk about some board games.

20. Root

Root is a curious little game that gained a massive following after its 2018 release resulting in quite a collection of expansions and a digital version by 2022 when I discovered it. It didn’t make my list last year, namely because it was a very new game to me at the time, but having played it quite a bit over the last year, mainly using the online app, I can safely say it earned its place on this list.

Root is effectively a quirky, asymmetrical war game in which players attempt to complete unique victory conditions depending on their chosen faction, which notably differ wildly from faction to faction.

The tricky element of Root that I think registers with gamers in addition to the very highly asymmetrical play is how it’s a game that you really can’t win alone, even though that is exactly your goal. To win in Root you must help and rely on the help of your opponents to put you in a position to win, yet, not help your opponent so much that they run away with the game and knock you out. In a sense, at times it’s a cooperative competition. A player that tries to strike out on their own and simply win by outplaying everyone is not likely going to be successful in this game, the reliance on your opponents to help you in your pursuit of victory is really a requirement to be in the running. This quandary is in a sense, the central theme of the game.

This combined with the highly asymmetrical gameplay gives Root it’s very unusual yet, addictive replayability, as well as this extreme balance that is provided by the player’s actions rather than the game system itself. Once you have played a few rounds with the same people, you start to realize who the good players are (people you help-less and oppose more) and who the weak players are (those who you help-more and rely on for their help to give you, your victory).

The interesting thing that I noted is that the more you play, the more you adapt your strategies depending on the current atmosphere of the group you are playing with, and this conversation about “who the threats at the table are” is constant, debated, and almost like a sort of Texas Hold’Em table where people accuse each other of bluffing. It’s very much a game of chicken.

I really didn’t love this game right out of the gate because the rules explanation for this game is a real hurdle, it requires that all players understand all factions well and since each faction has an entirely separate set of rules, the entry point is tough. Once you “get it” though, the more you play it, the better it gets. It’s a slow burn well worth the investment.

19. 1830: Railways and Robber Barons

This one is slowly slipping from my list, but not because my feelings about it have changed, but because this is one of those games that is sort of like sex. The first time is amazing, after that it’s a lot of fumbling about until you get really good at it, then it gets fun again. Well, it’s hard to coordinate a gaming group in such an effort and the game really suffers greatly when player skill levels are not synched up.

Simply put, when everyone is playing the game for the first time, everyone is making the same mistakes, it’s a complete cluster fuck and it’s super fun. Then you play the game a second and third time, and suddenly the game clicks for one or two people and they are crushing you mercilessly. After a while, you will have one or two players that are just unbeatable and you either give up or get used to losing.

R&R is an unforgiving meat grinder that has zero tolerance for foolishness. One bad move and you could spend a 6+ hour game being a victim under someone’s boot, worse yet, one weak player can cause another player to win while everyone else watches helplessly which can create some frustration among more veteran players.

That said, in a group where everyone gets it, where the game “clicks” for everyone, this game is just pure magic. So competitive and cutthroat, so intricate, so many ways to move and counter move, its capitalism at its finest.

I adore this game, but I struggle with the idea of trying to properly teach people the intricate, but absolutely necessary understanding of how this game executes. Learning the rules is one thing and that is complexity personified in on itself, but learning to play this game competitively, that takes real dedication and that process is kind of miserable, to be honest.


18. Star Trek Fleet Captains

Slipping a bit to the number 18 spot is my beloved Star Trek Fleet Captains. I rarely get to play this one in large part because there are not too many Star Trek fans in my gaming circle, but this year a buddy of mine indulged me and we dusted this beauty off and put it on the table.

All I can add to the review I did for Star Trek Fleet Captains back in 2015 is that It should have scored higher than a 3.9 and it would have, had it not been for some of the component quality issues I had and continue to have with the game. Let’s just say that things are a bit flimsy.

Where it really counts with this game and where it really nails it is in the theme and the gameplay. This is the entire Star Trek franchise in a box, it’s a game for fans clearly made by fans. All of the nuances of the shows and movies, crossing the barrier of the various generations of the franchise and connecting everything into a unique bundle of scenarios and variability are all here. What you end up with is a Star Trek game with endless replayability that really reaches into the depths of the franchise, all those things that make it tick.

I love this game, It has been on my top 10-20 list for many years and I just don’t see it going anywhere any time soon.

If you love Star Trek.. this is your game.


17. War Of The Ring

In a sense, War of the Ring is to Tolkeins Middle-Earth what Star Trek Fleet Captains is to Star Trek. Its Middle-Earth in the box, chock-full of amazing themes and gameplay, it is designed without question exclusively for Lord of the Rings fans.

To be honest the only reason this game isn’t higher on the list is that it’s just complicated enough that unless you play it with some regularity, you are going to forget the rules. I play this game once every year or so and each time I dust this bad boy off, I pretty much have to learn the rules from scratch which is a colossal pain in the ass.

It’s always worth it mind you and I would love to see this one hit the table way more often than it does, but it’s a two-player game with some very niche elements, not the least of which is the fact that its a solid 4-6 hour game and frankly, it’s not terribly balanced. I have played this game a lot over the years and never have I seen a free-people victory, doesn’t matter which side I play or how experienced the player I play against.

I know there is a 2nd edition of this one and my understanding is that they have addressed the balance issues, but frankly, I don’t have a problem with the balance issues and I don’t play it often enough to warrant buying a second copy. If you do get it, make sure you get the 2nd edition though, no reason not to.

This is a fantastic game, it falls into the realm of “experience”, more than a competitive game, it really tells great stories and I have never once regretted playing it, win or lose.

If you’re a Lord of the Rings, this is your game!


16. Tide of Irons

Historical War Gaming has one core issue and that is that most of the time, at least compared to modern game publishing, the components are weak. Like there is a context of historical war games of what qualifies as great components, but when you pull it out of that context and compare it to the heights of modern game publishing, historical war games look like trash (sorry I know I’m a mean guy!).

Tide of Irons however is a huge exception and while it would be counted as a “low complexity” historical war game to historical war gamers, even though it’s moderate to high complexity to the rest of the mass market world, it is in fact, a genuine and very historically rich, historical war game.

Tide of Irons is a tactical, scenario-based and squad-based war game. It uses some very traditional mechanics, in untraditional ways, has some very clever and extremely flexible components for near-infinite setups and… most importantly, it’s a total blast to play.

While highly complex in comparison to your typical modern board game, so far as games board games go, this is one you can pull out, teach someone and play without a lot of fussing about. It has increasingly complex scenarios that use more advanced rules and features as you progress in the game, but the scenario complexity starts very low and ramps up slowly. All and all, for an old dog like me, it’s a fairly straightforward war game with lots of strategic and tactical elements to make it fun and challenging.

It’s also visually spectacular and I think I love that about Tide of Irons more than anything. This is a game that rocks it on the table, it just looks amazing, giving it that rich thematic presentation that will get you in the mood. Who doesn’t love playing with little green men, it’s not someone I want to know!

15. Western Empires

Western Empires debuts on my list in the number 15 spot and I’m going to fess up here and now that despite this game being one of the toughest games to get to the table, so much so that so far I have only played it online, there is no question in my mind that it deserves to be here.

Based on the classic Advanced Civilization, a stone-cold classic from the Avalon Hill days, Western Empires is best described as “an experience” more than a game. This is an event game that takes you through the history of human civilization and like the foundation of human history, infuses human nature as a core feature of the game. You and your players aren’t just going to be playing the mechanics, this is very much about manipulating each other.

The core gameplay in Western Empires is player interaction, namely trading, negotiating, and deception and like human history, conflicts that arise are resolved on the battlefield in the cruelest of ways where war is won by the most un-sportsmen-like actors. The game has no equity, there are no balancing mechanics or attempts to ensure fairness, instead, there is just the cruelty of history and the ambitions of the players that drive the game forward.

This is a tough game where stuff will just happen to you outside of your control. Volcanos erupt and destroy cities, floods kill millions, rebellions crumble empires and all other manner of disasters natural or otherwise. All you can do as a player is navigate through the turbulence and hope that by the end of the game your civilization rises above the others in what I think is one of the most raw games I have ever played.

Western Empires is a long game, easily exceeding 10 hours and while the mechanics of the game are not complex, the nuance of player interaction is so deep that most players will see this as one of the most challenging games you could ever try to win. If you love huge, epic games for those big all-day events, this is without a shadow of a doubt in my mind, one of the best on the market. Combine Western Empires with Eastern Empires to make Mega Empires, a game that can house up to 18 players!

There is gaming and then there is Western Empires, that is all I’m going to say about that!


14. Dune Imperium

Dune Imperium is a Euro game and in my experience when it comes to how much I like Euro games, depends on when you ask me. They fluctuate and the primary reason is that they always feel hot to me until they are not. Dune Imperium however is a Euro that has really had a lot of staying power, I keep coming back to it over and over again and while it’s dropped on my top 20 list a bit from previous years, it’s still one of my favorite worker placement games.

The reason is that this is a game that comes with a really great theme, the use of worker placement here is not just about collecting resources and scoring points, but rather, its the fuel for the other far more important and decisive elements of the game, the deck building and combat elements. It’s also an incredibly tight game, I have never played a game of Dune Imperium that wasn’t super close and Dune has great versatility thanks to the great asymmetrical setups. It’s just a really well-designed game, easy to learn, yet very competitive.

This year we added the expansion, Rise of Ix to the mix which I thought, contrary to some of the reviews I have seen, added a lot of great elements to the game. It actually made the game a bit faster and allows players to specialize their strategy a bit more. The next expansion, Immortality is also out now and though I have not tried it yet, it does put more fuel in the tank for this one because I’m certainly excited to give that one a go as well.

It is worth mentioning that these expansions are luxuries and not necessities. Dune Imperium really doesn’t need these expansions, they are clearly made for fans who already love the game and just want to add some new playstyles into the mix.

Fantastic game, still my pick for one of the best games to come out in 2020.


13. The U.S. Civil War

I’m working on a detailed review of this new addition to my list, so more details coming soon, but The U.S. Civil War is another foray into the historical hex and counter-war game genre for me and it’s been a really fun ride.

This is a game, as the title suggests, about the entire Civil War. It’s a deeply meaningful and detailed grand strategy gaming experience in which two players play out one of the most defining conflicts in US history. It’s a moving armies on a map style of game, but the game has a way of presenting each side of the conflict with historically accurate problems to solve like the vulnerability of the coast, supply lines, the difficulty of the terrain, the variable availability of generals, the political atmosphere of the nation and of course the unpredictable results from the battlefield.

This is one of those games where you must think many moves ahead, and execute plans as you made them while trying to predict the intentions of your opponent. It’s uniquely balanced in that the South (Confederate Army) has little chance of actually winning the war, the North (Union Army) clearly has an advantage in the battlefield, but the North must execute a really successful war or the political situation at home may force a concession, which is how the South can win the game.

It’s historical, it’s strategic and it’s chaotic. Just a really great game, certainly not for the faint of heart, this is definitely a historical war game made for historical war gamers, specifically for historical war gamers interested in this particular conflict, so its quite niche, but if you’re a fan like me, this is the premier Civil War-war game, it’s a must own!


12. Peloponnesian War

Mark Hermans Peloponnesian War is without question one of my favorite solo games for many reasons, from the subject matter itself, clever mechanics, the unique way the game balances the solo experience and its outrageously challenging gameplay.

I have been trying to win at this game for over a year now and it still kicks my ass and each time it does, I learn, I adapt, I find new strategies to try and it all refreshes the experience. I find the game absolutely addictive, I just can’t put it down. I want to solve it and the crazy thing is that, I’m still just working on the first scenario, there are several others waiting in the wings for me so I don’t think this game is in any danger of slipping from this list anytime soon.

I will say that this game is so unique, such a white elephant even in the historical war gaming space that I find it impossible to recommend it even though every instinct in my body says that if you are a board game fan, of any kind, this is just one of those games you have to try. It’s just way out there in left field, the sort of game that results in either you seeing the absolute brilliance of it, or leaving you wondering, what the hell it actually is. Read my review for more details on this absolute gem of a game.


11. Lord of the Rings The Living Card Game

Lord of the Rings The Living Card Game has enjoyed a very long and very illustrious position on my Best Games list since its initial landing back in 2017, enjoying the number 1 spot in 2018 & 2019. In 2020 it finally slipped from its top position but it has remained and likely will remain on my list for a long time. It slips a few spots now, but only because I played it so goddamn much at this point, that I actually, for the first time since 2017 took a break from it.

I adore this game for so many reasons, but ultimately I just think it’s one of the best deck-building card games I have ever played and I have played a lot of them over the years. I have a complete collection and no matter how many sets have been released for it, each time I pick up a new one, I find myself back at the table completely engrossed in trying to figure out how to beat the latest challenges. This game is just so much fun, I have talked about it endlessly on this site and of course, you can read the review from 2016. I’m the content owner of the fantastic Lord of the Rings Companion and Lord of the Rings Campaign utility just in case there is any doubt about my fandom.

If you’re looking for a great deck builder that you can play solo or with friends, this is the one and if you happen to be a Lord of the Rings fan, I mean, this is a must-own game…period. This is my island game, no doubt about it.


10. Washington’s War

Washington’s War has one benefit that the other CDG’s (Card Driven Games) on this list don’t have which is that it’s very newbie friendly, meaning you can take a non-gamer or casual gamer, teach them how to play and they will be beating you at it pretty quickly. It’s a very easy game to pick up, while remaining exciting with a deep, meaningful strategy that will keep veteran players interested. It’s actually a really great introduction to a historical war games game and definitely one of the best CDG introductory games on the market.

Now that is the meta, but what makes Washington’s War really special is that it captures the revolutionary war in an abstract way, while maintaining the nuances of the historical period. It’s thematically rich and it houses mechanics that are very much standard in a lot of CDG’s and historical war games, so it has this very easy-to-recognize familiarity as you play the game, things work, as you kind of imagine they should.


9. Through The Ages: A New Story of Civilization

Through the Ages: A New Story of Civilization is game about human history from the stone age to the future age, but unlike Western Empires which it shares topics with, Through The Ages is very much a mechanical experience and a Euro one at that.

Through The Ages is a very long strategy game where you must not only go into it with a plan, but at each stage of the game, really with each decision in the game you are binding yourself with the impact of those choices resinating all the way to the final scoring round. It’s without question, one of the deepest strategy games I have ever played, one of those games that you can analyze endlessly.

Despite this fact, there is a certain level of randomness in the game, so even though you can walk into it with a strategy in mind, you are also placed on the defensive quite often and will need to scramble and make do with what becomes available to you rather than what you really want. This gives the game incredible replayability because no two games will ever be alike and no amount of theory crafting is ultimately going to matter as you approach this games incredible dynamics. Not that this knowledge will keep you from theory crafting, but ultimately it’s as much a game about planning as it is reacting.

It’s so robust, so challenging and so well thought out that it’s no wonder that Through The Ages has enjoyed one of the longest stretches in the top 10 on boardgamegeek of any game ever released. Even today, nearly two decades of being on the list it still manages to be in the number 13 spot as of this writing, a testament to its amazing design.

Through The Ages has a great digital version which makes this game a lot more accessible and I highly recommend that if you’re a fan of this one to get that, it’s a worthwhile investment to get to play this gem more frequently. For me personally, I love to see this one one the table, it is one of the best games ever made.


8. Eclipse: Second Dawn For The Galaxy

I’m currently writing an article series about space civilization-building games (HERE is part I) and obviously, Eclipse is one of the contenders. When I was building this list however I knew both Twilight Imperium and Eclipse would make it onto the list, but I ultimately had to decide which one would rank higher and which lower.

Now before I explain why Eclipse has been one-upped by Twilight Imperium, let me just say that Eclipse: Second Dawn For The Galaxy is an absolutely fantastic game, capturing the genre from a very unique angle that deserves all of the accolades this latest edition of Eclipse has gotten.

The way the game gets right into the action, the pacing of the game throughout, fantastic combat, amazing technology and resource management, it really just nails it in so many ways. Frankly, in almost all cases I would actually recommend Eclipse over Twilight Imperium to the overwhelming majority of gamers. You could say from a mechanical and modern design perspective, it’s the better game.

So why does it play second fiddle to Twilight Imperium for me? The answer is simple, player interaction. When it comes to big, epic, event-level games from which both of these games plant their roots, player interaction is a key factor for me. Despite some really amazing mechanics, the level of player interaction in Eclipse is strictly regulated to mechanical execution. You are not going to be negotiating, there is no politics, and there isn’t much in the way of making deals with and then betraying players, at least not if you are paying attention to how the game executes.

Despite being part of the “event” genre of games, Eclipse is actually a quite short game and this is a game about scoring points and there simply isn’t enough nuance or time in the game to fumble around with politics and negotiation. You do what you need to do to score points, you start doing it from round one and by the time player interaction would make any difference, the game is over and you are counting VP’s to see who won.

This is very much a Euro version of a civilization-building game, it’s about managing resources, executing mechanics, calculating odds, predicting actions and so on. All good stuff mind you and it makes for an excellent game, but it just lacks that human interaction factor upon which games like Twilight Imperium are based and for me personally this feels like a missing element in the game.

Eclipse makes up for this in countless ways and it didn’t make it on this list because I felt sorry for it, Eclipse earns its stripes, it’s an amazing game, it’s just no Twilight Imperium.


7. Twilight Imperium

Twilight Imperium has been on my best-of list as long as I have kept one which at this point is nearly a decade. Now in its 4th edition, this space opera remains the premium grand strategy civilization building in space game on the market and while there have been plenty of challengers, I’m yet to find one to dethrone it, though arguably Eclipse: Second Dawn For The Galaxy came pretty bloody close and might just one day surpass it.

I think the crux of it is that Twilight Imperium has a strategic depth that no other game in this genre can touch. It’s a game of subtle moves, of grand plans and of player-driven politics and interaction. TI4 draws on the personalities of the players and infuses it with gameplay in a way that very few games do and to me this is a mark of a true masterpiece.

The game mechanics in 4th edition have been perfected to such a degree that I actually rejected the expansion for the game (The Prophecy of Kings) because I felt that it was messing with that perfection. Some swear by the expansion, but for me, Vanilla 4th edition Twilight Imperium is the mecca, the final and best version of the game, not to be messed with.

This is a 6-10 hour monster, clearly an event game and so it doesn’t see a lot of table time and in a way, this is the one thing Eclipse has over Twilight Imperium and why I believe someday I might get to a point where I admit defeat and allow Eclipse to rise past Twilight Imperium, but it isn’t going to be on the 2023 list, better luck next year Eclipse!


6. Empires: Age of Discovery

Empires: Age of Discovery is to me, from a design perspective, the single best worker placement game ever made. It combines a great theme, very clever use of the worker placement mechanics that go beyond simply plop and score and boasts an incredibly tight competitive atmosphere. This is just really good gaming and really good game design.

It’s very easy to teach and learn, looks absolutely amazing on the table, it’s paced perfectly keeping everyone engaged and doesn’t overstay its welcome, really hitting that sweet spot in terms of playtime.

I did a review of this one way back in 2005 and to be honest while I agree with the score for the most part, one thing haunts me about this review and that is my complaints about the deluxe edition cost vs. component quality. I was being quite harsh and have since really changed my tune about the value of this game. This deluxe version of the game I think is well worth the 100 dollars I spent on it, but I suppose 100 dollars was a lot more money in 2015 than it is today.

To me, if you’re a fan of worker placement games, this is a no-brainer, they don’t get any better than this.


5. Caesar: Rome vs. Gaul

A new edition to the list, the impressive Caesar: Rome vs. Gaul makes its debut in my top 5 and I can’t help but feel this game might deserve to be higher on the list.

This game initially hit me kind of so-so. I didn’t love it right out of the gate and I saw some flaws with it compared to some of the other CDG’s I was playing at the time, but like a fine wine, this thing aged for the better with time. Looking back at my initial review of Caesar: Rome vs. Gaul where I scored it a 3.85 I feel like I probably should have played it more before doing the review. I think it deserved a bit better, not that I disagree with anything I wrote about the game back then as compared to today, but I should have scored it higher.

I think the main difference after dozens of plays for me has been that this game is so much more diverse and dynamic than I first thought. Certainly, the number of different strategies and the way some of the more chrome-rich mechanics affect the game and how they can be used as part of a larger long-term strategy are things that at that point when I wrote the review had not clicked for me the way they have today. Having played it quite a bit over the last year, boy let me tell you, this game is a veritable forest of awesome and dynamic gameplay. It has so much more depth than I initially gave it credit for.

While I still stand by the fact that Imperial Struggle is my favorite CDG, this is a taste thing more than a design thing. I consider Caesar: Rome vs. Gaul one of the most well-designed CDG’s on market today. It hits the historical and thematic elements with precision even within its abstraction, it’s challenging with player skill playing an important role in deciding outcomes while bringing that chaos factor that makes card and dice games so much fun.

It is burdened with a bit of a learning curve but unlike games like Twilight Struggle, which has a tough climb for players to learn to play it well, Caesar: Rome vs. Gaul’s learning curve is in learning the rules of the game. Once you get past that hump which I would argue is moderate, learning to play it well comes naturally and relatively easily. There is a fundamental core to the game that makes it easy to spot potential, viable strategies. I find that is a preferable setup as finding someone to play the game that is ready to get past the mechanical learning curve of Caesar: Rome vs. Gaul is a lot easier than finding someone who is ready to put in the 30+ games it takes to become competent in something like Twilight Struggle.

Amazing game, that keeps getting better the more I play it, one of the biggest surprises for me of the last couple of years.


4. Paths of Glory

Paths of Glory is to me, THE, premiere historical war game, it is to historical war games what Pandemic or Settlers of Catan is to the general board gaming community. It’s just one of those games that, until you have played it, you can’t really claim you know historical war gaming, it is a fundamental must-own and play.

That said, it actually is quite a niche, but that shouldn’t be surprising to historical war gamers, quite literally every game in the historical war game genre is a niche thing in most respects. World War I is a very specialized topic, with unique nuances and context that create very unusual strategic and tactical challenges. That could actually be said about almost all historical war games as well, but I think Paths of Glory’s execution is done with such precision and the game mechanics are so fine-tuned, I can easily put this game into the category of a masterpiece.

In this game you are not just contending with the historical complexities of the period both on and off the battlefield, but it’s done in a “what if” setup which to me is the absolute best way to ensure historical war games don’t lose their luster over multiple plays. What if Italy shows up late to the war, what if the Americans join the war earlier rather than later.. so and so forth. The game allows for the adaptations of history but in believable ways, meaning the things that are a-historically possible, really could have actually happened that way.

That however is just the tip of the iceberg when it comes to the true greatness of this game. The attrition warfare, the subtle manipulation of resources, the intricate point-to-point map and the absolutely engrossing way unit positions play into the strategy of the game all combine to make this one of the greatest historical war games in existence.

Absolutely adore this game and it’s a great mid-way point for the education of a fellow would-be historical war gamer, it has some complexity but this is a game that with a bit of dedication can be learned and learned to play well by most people.


3. Empire Of The Sun

If you read my blog even in passing, it is no secret that I’m a huge Mark Herman fan, the designer of Empire of the Sun and that I consider Empire of the Sun his Mona Lisa, a true masterpiece.

My biased love for the history of the war in the Pacific surely plays a role here, but really Empire of the Sun is a combination of everything I love about historical war gaming all rolled up into mechanical perfection.

Empire of the Sun is a grand strategy war game in the pacific on an operational level, it’s a card-driven game, played on a large hex map that really focuses on large-scale military movements and reactions. The game is very intricate, without question one of the most challenging games I have ever learned to play, but the strategic depth, variability and dynamics of the game are so well the time investment this game demands.

Empire of the Sun has a really great solo bot as well which means that you can take your time learning the rules, really getting the nuances down before you consider challenging opponents and thanks to a very robust community supporting this game you will find no issues finding an opponent online.

That said the personal, one on one, the experience of playing this one on the table is absolutely unmatched. This is a timeless classic that earns its accolades, everything you have heard about it is true. It’s deep, and complex with a steep learning curve and it’s an absolute joy to suffer through it to get to the heart of this beast. When the lights come on and you get to that point where you know how to play, it’s as good as board gaming can ever be.


2. Imperial Struggle

I place Imperial Struggle in the number two spot of this list without reservation, I didn’t even blink really. This is one of my favorite games to play and it really isn’t for any particular mechanic or thematic reason, this is just one of those games that you play and love and.. well it doesn’t really matter why.

That said I feel like I owe some explanation and so I will be brief and to the point. Imperial Struggle is a culmination of everything that makes CDG Influence games like Twilight Struggle, Caesar. Rome vs. Gaul and Washington’s War great done with exceptional style and mechanical brilliance that simply results in this one being the best of the bunch. It is one of the most competitive and challenging games in this genre I have ever played. It has charisma, it’s absolutely gorgeous on the table and despite reluctance to try it coming from almost everyone I have ever taught it to, I am yet to meet someone who played it and didn’t instantly love it.

In my review in 2021 of Imperial Struggle I did point out that I didn’t think Imperial Struggle would cross over to the mainstream and it really hasn’t. It tragically sleeps on boardgamegeek.com in the 542 spot which makes this without question one of the most underrated games on the geek to date. It’s absolutely criminal that this game does not get more love given the fact that it’s the offspring of Twilight Struggle, in my not-so-humble opinion, a far inferior game.

In my eyes, your board game collection is incomplete with Imperial Struggle in it.

1. War Room

To no so surprise at all, War Room is my number 1 game on the best-of list for the second year in a row and frankly I can’t imagine a future in which this won’t always be true.

Check out my preview and my review of this epic grand strategy world war II game. I don’t know how else I could possibly praise this one short of saying, it is everything I love about this hobby in an oversized and very elaborate box.

I love this game and true love lasts forever!

Exits & Honorable Mentions

A few games exit the list and there are a couple that were up for consideration that I would at the very least call honorable mentions.

Shogun (Dirk Henn version) has been on my last lingering in the backfield for many years and frankly for good reason. I love this game, that crazy dice tower is just so much fun, in particular in the context of a think strategy war game. It was a tough fight between Root and Shogun, to be frank, I chose Root mostly just to have something new on the list, I don’t know that I believe that Root is a better game than Shogun. Its actually quite brilliant.

B-17 Flying Fortress Leader also exits the list, though I was a bit more sure about this one than some of the others. I love this game, but it’s so niche, it’s purely solo and honestly, though I play it every year like clockwork, I think this is just one of those ME games. I love the Leader and Field Commander series of games, they are a sort of almost alternative pastime for me. Field Commander Napoleon leaves the list for the same reason.

Ikusa makes an exit and probably should have quite a long time ago. This one lives on nostalgia for me and though I haven’t played it in a couple of years and really do appreciate it, it’s hard to justify a game for a best-of list you don’t really play.

Three major contenders for the list I discovered during last years annual big board gaming weekend, in no particular order, Hansa Teutonica by Pegasus Spiele 2020, Smartphone Inc by Cosmodrome Games (2018) and The King Is Dead by Osprey Games (2020).

Hansa Teutonica is just such a really clever Euro game that really struck a chord with me and I honestly think the only reason it didn’t make my list is that I have only played it twice and I don’t own it, so little opportunity to get it to the table. I think it will make an appearance at this years big board gaming weekend and if it leaves a similar impression the next time I play it, it might not only make it to the list, but into my collection as well.

Smartphone I have played several times and honestly, even as I write this I struggle to justify not putting it on my list somewhere. It really is one of the smartest (no pun intended) game designs I have seen in years. Super fun, really competitive and just brilliant from a game design perspective.

The King is Dead I think has so much potential, it just needs more table time to make the list. This is a game that I put in the vein of Condottiere, which is also a very difficult to pass on consideration for the list. It has that, my brain hurts, an element to it that is both addictive and inspiring. Really enjoyed this one and I think one of these days I’m going to make a top 10 games that make you think list for which both The King is Dead and Condottiere I think would do really well on.

I hope you enjoyed the list, see you next year!

D&D Theory: Dungeons & Dragons Over The Years: Part II Of III

We continue where we left off in part I of our article series where I talk about past editions of Dungeons & Dragons and why you may consider playing them even today. In today’s article, I will cover my take on 1st edition BECMI (Basic, Expert, Companion, Master & Immortal) rules and 2nd edition Advanced Dungeons.

Enjoy the article!

1st edition BECMI D&D Rules

I will say here and now that to me BECMI was and still is a revelation, hands down one of the best systems with the best style and theme for D&D in existance. That said, its really part of the B/X line of games and I kind of see it as an expanded part of the same thing.

In our first article, we talked about 1st edition Basic & Expert, a rule system that was intentionally easy to learn and run, designed for new players, but there was a wrinkle in the plan. Despite its design goal of being an introduction to D&D and an entry point to Advanced D&D rules, the B/X system took on a life of its own. Not only because it gained its own following but because despite any effort to make it new player friendly, the game was obscenely difficult to be successful in as players with some of the toughest challenges and heavy-handed death rules to exist in any version of D&D (0 HP = Dead).

The game was ultimately adopted by a community that went from newbies trying to learn the game to seasoned gamers who preferred Basic & Expert to Advanced Dungeons & Dragons and didn’t want to switch. Instead what they wanted were more robust rules sub-systems that offered more coverage within the framework (B/X) they were accustomed to.

There were other reasons for B/X to be continued and expanded on which related to legal matters in TSR that involved the franchise name, who controls it, and who collects royalties on the D&D name, but we are not here for a history lesson, rather we are here to talk about the game itself.

With this growing community of Basic/Expert rules players wanting something more robust, but unwilling to switch to the AD&D game space, TSR started producing more advanced rules for the B/X system, in a sense creating advanced Basic/Expert D&D. TSR in the 80’s was a confusing time.

Between 1977 to 1944 there were quite a few different versions of the 1st edition Basic game and this makes going back today trying to figuire out what’s what kind of confusing as it was back then. To be clear, BECMI is based on the 1st edition Mentzer Basic edition of the game released in 1983. Depicted here is the 1991 release known as “The Black Box” which is not the same thing as one example.

There was a total of 3 additional supplements that expanded the game starting with the Companion set, then moving to the Master and Immortal sets. Each new set added new rules complexity as well as addressed the required adjustment needed for previous sets to accommodate higher-level play (longer character progressions). By the time they finished releasing these 3 new supplementary rule sets, the maximum level for characters was a whopping 36th level!

All five sets (Basic, Expert, Companion, Master & Immortal) were later released in a single-volume book called The Dungeons & Dragons Cyclopedia and this earned the system which was seen as separate from both B/X and AD&D the name BECMI.

The Rules Cyclopedia is the final and most complete version of the BECMI system and I think few would argue that there is any reason beyond nostalgic collection to chase after the 5 box set volumes if you wish to play BECMI. It’s all here and it’s all you need and more.

BECMI was in a lot of ways very similar to the 1st edition B/X rules but unlike B/X it was actually a much closer match to AD&D itself in terms of rules coverage. It was a bit of both but it was modular which meant that unlike AD&D it was designed specifically so that you could use some or all of the companion rules, picking and choosing the mechanics that you liked or were relevant to your campaign and excluding those that weren’t.

While there were several very notable subsystems that were added to the basic and expert rules, BECMI ran and played very much like the standard B/X system.

The Companion Set added rules for elements like unarmed combat, the creation and management of strongholds (Dominion Rules) which coincided with the increased levels of character classes possible, capping off at 25th level. This of course meant that spell-casting characters had access to higher-level spells which are also included in the companion set, as well as all the amenities needed to accommodate higher-level play (hit points, saving throws, etc..)

One important addition of the companion set was the addition of new sub-classes which for the 5th edition crowd should sound familiar. You might think 5e invented this concept, but the truth is that sub-classes is actually a 1st edition D&D concept, arriving with the companion set.

Clerics that reached 9th level could choose to become a Druid sub-class which came with its own benefits including new spell lists for the Druid class.

This wasn’t the only new sub-class option included as each class after reaching 9th level had some sub-class options, though when the companion came out it was only the druid that was identifiable as a fully-fledged sub-class.

Finally, the companion set gave us mass combat which worked with the dominion rules and the henchmen, hirelings & follower rules of the base sets. It also expanded a great deal the types of adventures that were created for the system, notably some of my all-time favorites like Test of the Warlords which made full use of the companion set rules.

The Companion Set was supported by the Companion Module series which kicked off with Test of the Warlords showing off its kindom management and mass combat rules. It was a great adventure that really was a self contained campaign set in the remote region of Norwarld in the Mystara setting. For modern games this was the Pathfinder Kingmaker of its time.

The Master set was perhaps the most important addition to the increasingly more complex format that became BECMI. Aside from more growth for all classes, capping out at 36th level, the master rules brought quite a few new optional and expanded rules that in many ways made this a more advanced game than advanced D&D.

Weapon Mastery was probably the most widely appreciated element of the Master rules, though equally the most complex set of rules. It created what is even to this day one of the most robust melee and ranged combat systems for warrior classes available for D&D, in a sense fixing all of the complaints about the power levels of late game fighter and melee classes in general. It allowed characters to acquire unique fighting styles and moves, improve the damage with the weapons they used and allow them to be quite competitive with classes like the Magic-User and Cleric on the power scale.

Additionally, we got rules for Siege Equipment and running sieges, a natural extension of the mass combat and dominion management rules found in the companion set and much appreciated for those of us that didn’t shy away from the expansive kingdom management content available for the game by this time.

The Master box set was probobly one of the least frequently used sets simply because really high level play was quite rare. That said, I think BECMI had a really great approach to high level play and it was quite viable, just not often done.

There was lots of good stuff in the Master rules, in fact, of all the things added to the basic/expert rules, this was it was the Master rules that really filled in the finishing touches on gaps typically found in D&D games. Things we often ran across like players wanting to raise armies, build castles and conquer lands that just weren’t in any other D&D system at the time.

The final set, The Immortal rules in essence did two things. It explained where gods come from and it defined the concept of ascending to a higher plane of existence as a player, aka, becoming a god yourself.

It was an interesting read but to be honest I have never met anyone who played a D&D campaign so long that they achieved 36th level let alone having a need for rules on how to become a god. It’s a cool concept but really lacked purpose in your typical D&D campaign.

There were very few immortal level modules made to support this level of play and I don’t know anyone who ever actually ran or played in them, but actually they were really well done. In particular The Immortal Storm was very clever.

One cool thing in the Immortal set was descriptions of various immortal gods and this lore I always found to be quite useful for inspiration. From Orcus to Demogorgon, the Immortals book gave you some really great lore for your fantasy campaign.

The final book, The Rules Cyclopedia was mostly known to be a consolidation of the rules found in the BECMI sets, but under closer inspection, there are quite a few things that were unique to this book not found in the other companions.

Several sub-classes were added including the Mystic, a sort of Monk as well as variations on the fighter like Paladins and Rangers. At the time I don’t think anyone really considered these missing elements of the game as AD&D was fully compatible with BECMI so if you wanted to play a Ranger for example you could just use the one in AD&D as written. Still it was nice to have all the classes available in BECMI consolidated in one book.

The book also included a lot of corrections and frankly, it was much appreciated as there were quite a few quality issues and conflicting rules in the original BECMI companion books which are corrected here. Most notably the Rules Cyclopedia gave explanations and maps for The Known World, officially named Mystara at this point further solidifying BECMI’s rule system as a foundation for the setting. This was later further expanded on by the Mystara Gazetteers, a book series that dove into the details of the setting, notably including several new classes and character options for players with each book.

While the compilation of BECMI rules into a single book was the point of the Rules Cyclopedia, the best thing to come out of it really was the establishment of Mystara as a full setting that would later see unmatched support in the D&D Gazetteers that followed.

The Rules Cyclopedia to me is a foundation book for D&D in general as many of the rules sub-systems like Mass Combat, Sieges, Dominion Rules, and Weapon Mastery system are completely system agnostic. As such, there is a lot in this book that can be used with any D&D system, past and present and despite the age of these rules, they are still the most applicable and thorough rules on these subjects, far more expansive, detailed, and usable at the table than any others that came before or since. The Rules Cyclopedia is only second to the 1st edition AD&D DMG as far as D&D resource books go in my opinion.

Collectively what made BECMI a premier version of D&D was how well it covered every aspect of D&D play. No matter what your players wanted to do, this system had your back with clever mechanics, clear rules and though quirky at times, great system-agnostic sub-systems that have really stood the test of time. Like AD&D, taken as a whole it’s quite robust but unlike AD&D, it is a very modular system so you can start out with Basic rules and simply add supplements as your campaign matures and you have new requirements.

Why Play It Today?

I’m biased, but I have to say it, why wouldn’t you play it today? BECMI to me, no matter what aspect of D&D play you look at is one of the most effective. flexible and straight-to-the-point D&D systems available today. It eases you into the game one step at a time, and grows in both complexity and depth as you proceed into higher tiers of play, while remaining very easy to balance and extremely playable even at really high levels.

If you are like me and you want to run a D&D campaign as a lifestyle game, one that goes on for years and years, most D&D systems really can’t do that well while keeping character progression as a constant in the game. In particular in modern systems, but even AD&D, once you reach a certain level, usually around 6-10+, the game becomes unwieldy. Characters become too powerful and trying to create balanced gameplay becomes impossible. With BECMI your characters can be 25th level and they can still die at the hands of a Goblin horde, the game never ceases to be dangerous or challenging.

Now I will grant you 36th level is kind of overkill, I can’t even imagine how long of a campaign you would need to run to reach such heights, but the sweet spot, unlike most D&D games, isn’t between 1 to 9th levels. This system continues to be extremely useful while remaining challenging even at the highest tiers of play. I have personally run campaigns for BECMI that reached as high as 25th level and the game remained every bit as good as it was at 1st level.

The thing however I find most people enjoy about the game is that it is so universally applicable and adaptable as a fantasy adventure platform for RPG’s. While at its core is a setting, Mystara, the troupes found in this system are extremely flexible and modular. It really doesn’t take much effort to come to conclusions on how one might adapt this system to other settings and because it is compatible with 1st and 2nd edition AD&D as written, by association you have most of the major D&D settings compatibility built in.

This has been my system of choice for D&D fantasy adventure for decades, its harshness and focus on resource management as well as its presentation is a great foundation for Dungeons & Dragons. I have played all of the D&D systems pretty extensively and I enjoyed those games, but whenever I think about running D&D, this is the one system that really speaks to me. To me this is real D&D.

Now the question isn’t why would I play the game, the question is why would you. I think the best sales pitch for this game is that its universally agnostic and modular. You can take this system as a DM and mold it in any way you want, including adding rules from other D&D systems, and without changing a word use those systems without issue. In a sense, BECMI is universally compatible with all D&D editions that came after it with perhaps the only exception being 4e.

Hands down the best version of D&D in my opinion… period.. no discussion.

2nd edition Advanced Dungeons & Dragons

Just like 1st edition AD&D, 2nd edition AD&D was reprinted in collectors edition a few years back.

2nd edition Advanced Dungeons & Dragons had some pretty big shoes to fill after the explosive success of 1st edition, but it also had to contend with some of the fallout of the satanic panic and the many complaints from the player base about the inconsistency and quirkiness of the 1st edition AD&D rules. It was a game born out of the need for correcting the past.

1st edition AD&D was really complex and 2nd edition AD&D really entered the scene with an attitude that while it would be backward compatible, which I think it very much was, it was also going to be considerably easier. TSR I think wanted the game to be a bit less Advanced and perhaps this was because they wanted to consolidate the two forms of D&D that existed at the time BECMI and AD&D under one roof. It would also be the first edition of the game that would be created without Gary Gygax’s influence for better or for worse.

With that as a framework 2nd edition AD&D I think was very successful in what it wanted to achieve but not particularly successful as a product. A lot of the issue with this version of the game had to do with the declining quality control at TSR which was starting to flounder as a company. By the end of the 2nd edition run, TSR was basically bankrupt. I would argue however it was not the fault of the game system so much as the company running it.

2nd edition AD&D also had a starter box for new players, arguably the quality control on this thing was pretty terrible. Unlike all the starter sets that came before that are still admired today and considered “classic”, this is a relic no one bought then, nor is it a collectors thing today. It was just really terrible.

AD&D 2nd edition had three core elements that actually made it an evolutionary step up from its successor.

For one, it was considerably easier to run. The rules were more digestible, easier to understand and far more consistent. It was still a system that relied heavily on adjudication with rules still having that “up to interpretation” style of writing more often than I think it should have but it was still a very broad system with great coverage and far fewer restrictions. Unlike 1st edition you really could run 2nd edition AD&D RAW, there were many rules and many moving parts as such you would not typically use the system in its entirety but thankfully the system made a clear distinction between rules that were core rules and those that were optional. This modularity was an important feature of the game.

In fact, it’s modularity that really defined 2e AD&D, a concept of the system that would be regrettably abandoned in future editions to the detriment of the game. At this point, D&D had established itself as a game that could be run in a wide range of styles with a really wide range of player preferences, so having a huge chunk of the rules be optional was a really great aspect of the game that allowed all of these styles to live harmoniously under one system. Less fuel for table arguments, it was understood that the DM would decide which optional rules to or not to use.

The great thing about 2e was that it used blue boxes to identify optional rules and it used the space to explain why you might want to use the optional rule and how it could affect the game. This was extremely useful and made the system feel really well constructed.

The second thing that made 2nd edition really great was the “Complete X” book collection which brought in a concept called Kits that allowed for really far-reaching character customization. These books were largely theme-based class option books and there was one book for each class which made 2nd edition AD&D a game system with a much bigger broader character creation element than we had ever seen before with a bigger focus on the narrative of the character rather than strictly mechanics, even though it was actually quite mechanical nonetheless.

These kits not only gave you many examples of the unique handling of different classes but gave you the tools you needed as a DM to create your own custom kits to serve whatever setting or story you were working on. Now I will say these kits often had poor balance, there were clear winners and losers here, but D&D at this point was still very much an “up to the DM” focused game so it was natural for DM’s to see any mechanics in these books as “here is a cool idea, use it if you like it, change it if you don’t”.

The Complete Handbooks were in my opinion one of the greatest things to happen to D&D as it allowed players to create really unique backstory elements and align them with their mechanical characters. You could be an investigator, bounty hunter or smuggler rather than just the very plain Thief. These books also included really specific narrative constructs, for example in the Complete Thieves handbook thieves guilds were explained in great detail as well as really detailed rules for how to use thief skills and much more.

This principle continued in other rules expansion books like the Tome of Magic, Player Options: Skills & Powers and Player Options: Combat & Tactics. These books were actually poorly received which should have been a warning sign to future editions as much of what would become 3rd edition Dungeons & Dragons were based on these books.

Personally, I always liked these books, in the same way I like the Complete X collection, they were inspirational and optional rules that with a bit of DM intervention formed some great core mechanics that allowed the creation of many unique styles of play.

While all of the options books had clear balance issues and suffered from quality control problems, with some DM intervention they offered increadible expansion to the game for those players who wanted more mechanical gears to pull on.

The final thing that made 2e AD&D really quite special was the fact that the game for the first time in the history of D&D considered magic-users and magic, in general, an intrinsic part of the game. It was clear from previous editions that Gary Gygax did not like Magic-Users or magic in his game and it really showed in how he treated them. With 2e AD&D, TSR made magic & magic-users fun, versatile and diverse. You could play specialist mages like Necromancers and Enchanters, the spell system and spells themselves had far broader effects with a lot of narrative flare and perhaps most importantly you had more diversity in spell-casting classes.

Magic was further supported by the Complete of Books which included specialization books like the Complete Necromancer. This was an amazing level of detail that would set a new standard for how players viewed and what could be done with their magic-user class.

I have always felt that 2e AD&D was a clear and much-needed fix for 1st edition AD&D. Today, without question if I was going to run AD&D in any form, it would be 2nd edition. In fact, I would argue that objectively, even though I prefer B/X and BECMI, 2e AD&D was the best of the TSR versions of D&D. It’s a very robust, very modular and very flexible system. It got a pretty bad wrap largely because of terrible mismanagement of TSR and probably could have been a much better system if quality control was a bit more stringent but it was the last system that we would see that was actually backward compatible with classic D&D content and so for many, it is the final version of true and real D&D.

The D&D franchise would be purchased by Wizards of the Coast after 2nd edition and through this act, the classic era of D&D was over.

Why Play It Today?

For me personally 2nd edition Dungeons and Dragons is a great system because it’s quite easy to run, has fairly clear rules while retaining that classic D&D feel. Now like all the classic versions of D&D that came out of TSR it is a mechanically flawed system, there is no disputing that, but its philosophy, its concept, its spirit as a D&D game is beyond reproach. It is D&D as it was meant to played, as it was designed to be experienced.

To me everything that followed starting with 3rd edition was an improvement on how D&D works mechanically, but in those mechanical evolutions a hole was punctured in the spirit of the game and it would turn out to be a major over correction where mechanics became favored over philosophy and concepts of the game missing the point of the many expanded concept introduced in 2nd edition AD&D. The soul of D&D would soon be diminished and by 4th edition D&D totally abandoned.

I say this here because 2nd edition was probobly the best game mechanically that TSR came up with, meaning, it had the cleanest gameplay, it was the best mechanical version of D&D that still retained the spirit of the game.

For modern gamers this is the edition I would actually recommend if your curious about what people mean by “Classic D&D”. Sure you will find some of the mechanics a bit quirky but it will be familiar, it will make sense, you will know how to play intrinsicly if you have played modern versions of the game. Mechanically its all here, even as flawed as it may appear to you (because it actually is flawed), but you will get to experience the classic nature of the game, that gritty D&D spirit that really doesn’t exist in modern editions of the game.