GM Theory: Creating the Perfect Game

If there is one universal truth about being a GM is that with each new campaign, with each new writing effort we are always looking for ways to improve, trying to create that truly great RPG experience that encapsulates all of our hopes and dreams for a game.

We watch shows like Critical Role and wonder, how the hell do they pull it off? Well the short answer is that they are professional actors and do create a professionally produced show for a living, which of course gives them a major advantage that most of us simply don’t have, but there is more to it than that. Even a professional show like Critical Role could fail, there are plenty of great methods for creating that perfect game and while there is plenty of advice on the subject from wonderful storytellers like Colville, Mercer and the like, since I’m currently on a high of success, I thought I would write my own article on the subject of how I finally achieved that truly great RPG experience.

First a bit of history on my RPG experiences in recent years. Now I have been running games for nearly 30 years and though I would like to claim that my success as a GM is attributed to all of the experience I gained of what to and not to do to create a great game that ultimately yielded the great results I have today, I don’t think that would be the complete truth.

Of course experience is a contributing factor to success but I don’t think you need to have 30 years under you belt to pull off an amazing game. In fact, in many ways, my long experience often works against me as you become kind of stubborn and set in your ways from running games a certain way for a long time. You begin to think that you have it all figured out and can become rather defensive about taking advice, about listening to player complaints and adapting to the many great evolution’s that take place in the RPG hobby. In essence you can become an old Gronard who thinks they have it all figured out and stop developing as a GM which is something that not only does happen, but happens far more frequently then it doesn’t. In fact it has happened to me many times and entire decades of potential progress as a GM was lost and many games ruined because I refused to change and accept certain fundamental truths.

Point here is that experience (being a veteran) is often presumed to be the key to being a good GM, and while this has some truth to it, their is a whole lot more to it then that and today we are going to crack open the knowledge basket and see what falls out as we explore some of the methods you can use that go beyond experience to create that perfect game.

The Group Dynamic is Key

All the writing, effort and experience in the world will not help you create that great RPG experience without a good group, a lesson I have learned the hard-way more times then I can count.

Now when I say good group, I don’t mean good people, good role-players or good anything else. A good group is a placeholder for a type of group that fits into the mold (your version) of what a perfect RPG experience is. They fit into your style of running and create a dynamic with each other that works at the table.

You might be tempted for example to bring together “the best role-players you know” and think that, this is the route to creating the perfect game. The reality is however that sometimes two amazing role-players when put into the same game can result in a disastrously bad game.

A good group, aka, a good group dynamic that works is something that just happens and there is no sure fire way to artificially create it, it takes experimentation. You put people in games together and it either happens or it doesn’t. When it does work its magic, when it doesn’t it may not become immediately apparent, but eventually it will slowly sink the game and derail the experience. The game might still be ok, fun even, but you will never achieve that high level of play you wish to have, that magic that comes only from great group dynamics.

So the advice here is to understand that when you form up a new group this is a testing period of the group, not an opportunity to run a campaign. If you want to achieve a great game sometime in the future you have to be ready to do some intermediate stuff to find out how the group dynamic works and be ready to make changes. Don’t create your masterpiece campaign for a new group and expect amazing results because you think your campaign is that good. A poor group dynamic can destroy any game, no matter how much work you put into it.

The goal anytime new players get together is to find out what the dynamic of that group is, what kind of fit they are for each other and for you. What are the complaints, is the focus of the game where you want it to be, do people get along, is there jealously or hostility in the group, is everyone in agreement about what is and isn’t important and good in the game or in RPG’s in general.

All of these things need to be tested and its best to run short campaigns, trying out different games, different approaches and testing the groups reaction to find out what works and more importantly who fits and doesn’t fit into the dynamics of that group.

Eventually you may realize that most of the group except for one or two people function and this is a hard realization to make. At some point you will know who in the group has to get politely asked to leave and that can be difficult, ney impossible in some cases because they might be friends, co-workers or family.

Its here where the first real pain to perfection comes in as its critical to ensure that you have a very strong, positive group dynamic that works for everyone without doubt or conflict. This is key to creating that awesome RPG experience and it actually is physically impossible to have even a marginally passable game that you will be satisfied with if the group dynamics just don’t work.

Its painful and uncomfortable to ask a player to leave a group, but often the first necessary step to take when trying to create a great troupe that will be able to achieve the heights of a truly great role-playing experience.

Don’t Skim over Character Creation

I can’t stress enough how important character creation is to the process of creating a great RPG experience. This isn’t just about vanity as a GM, aka, its not about saying “hey if you want to play in my game you need a deep robust backstory”. It’s not about control, or trying to be some sort of artist. This is a practical matter.

The reality of RPG’s is that it’s a game that focuses on the players, on their roles in the game and as such, its less important for you to know who the characters are and more important for the players to know what character they are running. Creating backstories, writing backgrounds and personalities is not something players do for you as the GM, but rather something they must do for themselves.

This is largely for their benefit and of course to a degree, for the benefit of the game as a whole. They need to understand who their characters are, how do they behave, how will they react to different circumstances, how does their world view ties into the setting. This cannot be understated, great games come from great characters and great characters are born from in depth understanding of them which needs to happen before the game starts.

Its important to understand however that in depth understanding and fleshing out of characters is not necessarily the product of great writing. In fact, some players can produce very real, very believable characters and never put a word down on paper. Its enough that they spend time thinking and planning in their head exactly who this alter ego they are creating is. So don’t be hung up on the printed word in this regard, most people are not great writers, in fact, its far more common that people don’t write at all.

The important thing here is that players do more than produce a character sheet and personality quirks. You always know your in trouble when as a GM you ask a player to tell us who their character is and they use 3rd person generalities to describe them “He’s a savage Half-Orc Barbarian that doesn’t take shit from anyone” is not a character, its a caricature.

Push for depth, push for background, make sure your players really know their characters and have done the diligence required during the character development process. In most cases this means you have to give the players time, don’t let the excitement of playing an RPG push you to the table before the characters are really ready.

Great games are not about great story writing

One of the hardest lessons and most difficult thing to do for GM’s is to realize the very humbling fact that great games don’t come from great writing, but from great storytelling. Its not what the story is, but how you portray it.

What this simply means is that the plot doesn’t need to be a complicated, multi-layer onion for the players to peel involving lots of characters and in depth mysteries. In fact, an approach like that will most likely derail your game rather then make it great.

Great RPG experiences come from the moment and the moment doesn’t have to be part of a complex plot, but rather a simple situation made to feel real and authentic. As a GM you play the cast of characters with whom the players interact and these characters are what make the story and the world feel real, authentic and believable. How you define the scenes and portray the characters is far more important then the complexity and depth of the plot and it is the secret to great GMing and a great RPG experience for your players.

Its important to note however I’m not talking about wacky voices or the use of adjectives. Imagery can be simple, while remaining authentic, choosing your words carefully knowing when to define something or when to let the players imaginations take over is a subtle but important skill to learn, though notably its much easier then trying to become a master writer.

The game lives in your players minds and its your job to paint the first strokes and let them fill in the rest. If you make the world a believable place, that picture in their head will be clearer. You can mess that up by making things too complex and too involved as easily as you can by being too vague. So find that middle ground and understand that as a GM its your job to give players space to exist, its their story not yours.

Session Pacing is Vital

Most people when they watch a movie don’t realize how critical pacing of the story is as its such a very subtle art form, however the editing of a movie, the pace at which the story progresses and the time each character in a story is given is without a doubt one of the most technical and difficult things to get right and it is no different in an RPG session with one exception. The editors of a movie can do trial and error, they can edit a movie over and over again until they get it just right where as a GM you only get one shot at it in a live session where all decisions about pacing have to be made in the moment.

This vital and often difficult skill is unfortunately one of the things that really comes from experience of running games. However so many GM’s never truly learn how to do this correctly, not because they are incapable or because its so difficult, but because they aren’t consiously aware of it.

The pressure of running a session, managing the rules, thinking about the plots, portraying the characters, defining the world… there is already so much going on that it can feel like an impossibly daunting task to also be self aware of the pacing of the game and so it is largely something GMs tend to ignore. The result is a game where pacing can bounce around in a session from going way too fast where important details and emotion are lost, or too slow where the game bogs down and comes to a crawl.

It becomes even more complicated when you realize that different settings and worlds require an adjustment, require a different pace. There is a big difference between running a horror game and running a fantasy adventure and each requires its pace.

Fortunately if you are aware of pacing in your game and make a conscious effort to control and manage it, you will very quickly find the right pacing and become proficient in maintaing and controlling it.

Its very subtle but very important component of creating a great RPG experience for your players.

Find the Right Players, or Adapt to The Players You Have

If there is one hard lesson I have learned from years of GMing that probably didn’t need to be as painful as it was, its understanding that you cannot change what you players like and don’t like. While this goes to group dynamic to a degree, this is really more about choosing the right game for the group you have and there are two approaches to this.

The first approach is adapting to your players. What this means is that when you are choosing your game, when you are deciding on the style of the game and the method in which you will present it, you must understand the preferences of the players. Its vital, that the game you are running for your group is something everyone is overwhelmingly excited to play. If for example you are running a science-fiction game because you love science-fiction, but your players want to play a fantasy adventure, that mismatch (though it should be obvious) will never work.

Preference of settings, or style or game type are irreconcilable, meaning you will not be able to convince players to like something that they have already decided they don’t and there is no sense in trying. Run the game they want to play.

Now alternatively you can find another group that matches your preferences and while it may seem mean spirited or selfish the opposite is also true here. A GM running a game that they are not into, that they aren’t excited and overwhelming eager to run will be just as big a failure as running a game the players don’t want to play. You will never successfully achieve a great RPG experience running a game you don’t like.

It has to be a perfect match and your options in this matter should be clear, run the game your players want to play and make sure you love it as well, ensure that game is like its your first born child.

Conclusion

The truth is that running RPG’s is a challenging labor of love and while it’s by no stretch of the imagination an easy thing to create a truly great RPG experience, I do believe that if you are really aware of some of the subtleties that go into creating such a game you are far more likely to achieve that far earlier in your GMing career then if you ignore them.

It’s important I believe to not get hung up on the technicalities of the game, sure knowing the rules is important, being prepared is important, but these things are the standard stuff of running a game. The more subtle things like group dynamic, focus on character creation, understanding the important distinction between story writing and storytelling, the strategy of pacing and the sort of equilibrium of picking the right game are far more subtle yet far more critical components of creating a great RPG experience.

Often these things aren’t talked about and addressed by GM’s who are eager to simply play a game and while this can be fine for some GM’s who are a little less eager to perfect, those of us who are striving for that Critical Role level experience, these subtle things become paramount. Knowing and understanding them is the key to success.

My advice is of course just one point of view, but I do attribute all of my success as a GM to the subtle changes I have made in my style and approach to running games, as they say, the devil is in the details and its clear to me that really is the case when it comes to chasing that perfect role-playing experience.

Good Luck Out There!

Top 10 War Games

While I recognize the concept of a war game can be a great many things and such a list can probably vary dramatically, when I say war game I mean soldiers on a map, fighting over territory in the classic sense. So while games like Through The Ages have abstracted war concepts and something like Cosmic Encounter may technically be seen as a galactic war, to me this sort of game would not really qualify as the focus game is something other then war. For example Through The Ages is an empire building game and while war is an inevitable part of that, at the core of its game-play is the concept of building up your empire. I also excluded miniature games because I feel though certainly these games would qualify as war games, its kind of its own category deserving of its own list. Finally I excluded short (filler) games, again, not that I dislike or don’t play such games, but filler gamers are really their own category and though many can be about war even in the more serious sense, I believe most people who would look up “war games” are looking for something a bit more robust.

Ok lets get into this.

10. IKUSA, formally Shogun, Formally Samurai Swords

While many gamers consider dice chuckers like RISK to be beneath them, to me Ikusa has sufficient “extra’s” to make it a quality strategic game and would simultaneously please RISK players. The fact that it looks amazing on the table is just a cherry on top.

This 1980’s Milton Bradly big box classic has been on my shelf since I was a teenager and with only brief interruption I have always played with pretty much every gaming group I have had. Certainly at this stage in gaming history its a bit of a dated game, but I do believe it has aged a lot better then all of the other Milton Bradly classics and still holds up in particular as an alternative to the traditional dice chuckers like RISK.

Its a nostalgia thing to some degree for sure, though I do believe out of all the old 80’s classics which includes Axis and Allies, Fortress America, Stratego, RISK and Supremacy, this is the only one I still long to play today.

Its a classic take on the dice chucker, but it takes it up a notch or two by having unique armies that can be permanently removed from the game, strategic resource management to give the game a measure of planning beyond just where you attack and unique individual units for interesting ways to affect battle outcomes.

Of course the fact that its medieval japan (one of my favorite time periods and historical cultures) as well as looking absolutely amazing on the table helps it a great deal not to mention the childhood memories I have of the long summer days playing it with my friends. I love this game and this list would be incomplete without it, warts and all.

Recommendations: If you love medieval Japan in using western presumptions about the era (think samurai’s and ninja’s), in particular if your a fan of RISK, this game is for you.

9. Tide of Iron

It looks and feels like a heavy world war II tactical game, without that uncomfortable elitness required from most games in the genre or that silly need for ultra realism.

I love war games and I love tactical miniature games, but when it comes to tactical board games I find I don’t have the same affinity for them. In fact, Tide of Iron is, out of my considerable collection of games, the only tactical board game I actually own. I don’t know why that is exactly, but I suspect it has to do with the fact that so many tactical board games are based on World War II and since I have Tide of Iron and adore it, I find it difficult to seek out other games that cover the same subject on the same scale. I mean there are a metric ton of them out their from Conflict of Heroes to Advanced Squad Leader which all seem interesting, but I always fall back to the question, why do I need another one when I already have one I love?

My love for Tide of Iron comes from a childhood memory of playing war with little green men, which is essentially what Tides of Iron is. Scenario driven, Tide of Iron zooms in on the battlefield to the squad level where players control squads of soldiers, tanks, various artillery in a wide range of situations in a green vs. grey army men World War II battle.

It abstracts many high level concepts like bombing runs, long range artillery and various “tactics” on the battlefield with cards that give the game a sort of zoomed in and zoomed out level of play which makes the battles feel more authentic, while also having a very clever system for managing terrain that is easy to understand and teach, a common complexity in other games of this type that often focus too much on realism in my opinion.

Its an engaging game that I love to pull out and I have even on occasion made it my choice of solo plays. I can’t recall a time I introduced the game to someone who didn’t love it, in fact, its been a birthday present to a couple of friends over the years which says a lot, especially since they were not “gamer” buddies.

Great tactical experience, bit of a pain to setup but tons of scenarios available and can be scaled for different lengths, ranging from everything between a short 1 hour mini battle to a 4 hour major engagement. Great fun, simple mechanics, perfect for inducting new players into war gaming.

Recommendations: If you like World War II tactical games, but find many of them overcooked, Tide of Iron gets it just right here with a perfect balance between realism and ease of play.

8. Empire of the Sun

Empire of the Sun is a very complex game and is not recommended for the uninitiated.

Easily one of the most complex games I have ever played and certainly the most complex one on this list by a wide margin, Empire of the Sun approaches the war in the Pacific in such detail, such focus and such an unusual scale that it is truly a unique gem in the genre, in fact I would say the game is a genre onto itself. I actually don’t recommend this game to all but the most dedicated war game fan, but in terms of scale and subject matter, it is the unquestionable king of high level strategic war games.

Card driven similar to Paths of Glory and as likely to have a-historical outcomes as Paths of Glory, Empire of the sun simultaneously zooms out and plays on the high level strategic map, while zooming in to cover the history of the Pacific War in great detail.

Its a fantastic game, one I have Reviewed, worth a look but be sure you are ready, it can be quite overwhelming.

Recommendation: This is for the ambitious war gamer looking for the ultimate challenge. It takes time and dedication to learn to play it and ten times that to learn to play it well. Its a life style game, make sure you have a dedicated partner.

7. Paths of Glory

Paths of Glory is a classic in the historical war gaming communities and is the foundation game for card driven mechanics.

World War I is probably one of the less known or sought after topics, and though this is a relatively new addition to my collection I’m warming up to it very quickly thanks to its strategic depth. Paths of Glory falls into the card driven point to point high level strategy games which is almost a genre in on to itself but this classic is a classic for good reason as I have discovered.

Really intricate and detailed it does what I love most about historical war games of this type, it infuses the game with rich thematic history, but does not become scripted walking you through the war as it actually happened. In Paths of Glory you are going to change history in some of the most unpredictable and interesting ways and because its a card driven game with literally billions of possible outcomes its physically impossible for you to play enough games to have even a similar outcomes from game to game. Every game of Paths of Glory is going to be wildly different. Some history buffs might find the a-historical outcomes to be distracting but for me personally there is nothing I hate more then playing a war game where I’m just going through the motions to ensure my war turns out exactly as it did in history. I find games like that incredibly boring and they never make my shelf.

Paths of Glory is more than just a war game however because while you are certainly focused on winning the war on the battlefield, you must carefully manage your resources and supply lines and like in real history, wars are rarely won or lost becomes of the outcome of battles, but rather everything that happens before and after. The influx of key historical moments represented on cards can also create some incredibly complex puzzles to solve increasing the challenge on a wide range of scales. What happens if Italy fails to enter the war in a timely fashion, or the Russian Czars never fall or the US never enters the war? All of these things are possible and more in a wide range of combinations and timings, all driving you to play the game again and again.

Absolutely love this game and though the complexity level ranges somewhere between the mid to high range, I find that the rules are very well laid out and it really doesn’t take more than one play to really get it. People say the game takes about 8 hours to play and I would agree that is the case until you play with an opponent that already knows the rules. Then the game goes from an 8 hour game to a 3 hour game fairly easily as the flow of the game is very quick once you get the hang of things.

Recommendations: This is definitely a game for someone looking for a higher level of complexity and meeting to the game, if you like games like Twilight Struggle or Washington’s War, this game uses many of the same concepts. If you are a world war I history buff, this one should not be missed.

6. Washington’s Wars

Washington’s War looks a lot more complicated than it is, I would put this is the light rules category.

A Mark Herman card driven game, however unlike Empire of the Sun, Washington’s War is a relatively light game that is closer to the likes of Twilight Struggle in weight and scope. This is a game about card management, strategic positioning and timing but unlike Twilight Struggle there is no requirement of card memorization which makes it a lot more newbie friendly.

In fact it’s almost questionable whether this is an actual war game, just like Twilight Struggle it is technically a game about war and you have armies and battles, but really this is a strategy game that covers the revolutionary war from a very high level overview.

I put it on this list mainly because I believe very strongly that if you are going to play games like Twilight Struggle, Paths of Glory, or even Empire of the Sun, this is your starting point. Learn this game and the rest will be a lot easier for you to absorb and understand as its incredibly rules light for such a deep strategic experience yet it uses many of the same concepts and mechanics as the various more complex cousins.

One thing I love about Washington’s War is that the game is relatively quick, yet gives you that full, heavy war game feel. Its a rare treat to find an opponent as the Revolutionary war, much like World War I in Paths of Glory is something not everyone is really going to know, though unlike Paths of Glory, knowing the history of the Revolutionary War is really not going to be much help here, its a lot more abstracted and general in terms of card play.

In any case I adore Washington’s War, while many would claim that Empire of the Sun is Mark Hermans masterpiece (and it very well may be) I think of all his games, this is the most likely to make the table if for no other reason than that it takes all of 10 minutes to explain how to play and even a first timer will pick up the game and put up some serious competition which is really what puts this one over the top for me.

Recommendation: Great entry level war game and introduction to card driven war games. If you have interest in playing games like Twilight Struggle, Paths of Glory and Empire of the Sun (universally accepted classics in the historical war gaming genre), this is where you start.

5. Battle of Rokugan

Its a game that feels like a knife fight in a phone booth from round 1, one of the hidden gems in the Fantasy Flight Games library.

Easily one of the most underrated strategy war games to come out of fantasy flight in the last decade, Battle of Rokugan is a gem that fills that “I want a war game, but I don’t have 4 hours to play one” feel to it. This is my go to game whenever I have people over who see all my board games on the shelf and want to play one because “they love risk”.

I have never introduced this game to anyone who didn’t instantly love it and I have on a number of occassions pulled it out at partys with non-gamers who not only end up playing it and loving it, but wanting to instantly play it a second time.

Its fast and furious yet deeply strategic, somewhat asymmetrical and though very abstract, still fairly thematic war game straight to the point war game. Its just a great mechanism for presenting that full fledged war game feel with a very light touch.

I think what I like about it the most is how close the games always are, its rare that a winner can be determined before the final move of the final round and often the game ends with several people within 2-3 points of each other.

Great, deeply strategic game, yet simple to teach and learn. Perfect for that spur of the moment game night.

Recommendation: While it may not scratch that deep historical war game bug floating around in your system, this is a game that will hit the table with just about anyone with even a passing interesting in war games. Its a perfect replacement for RISK.

4. War of The Ring

There is nothing like the feeling of a epic scale game that captures a story, War of the Ring is the best of its kind.

My favorite game I never play, this dust collector however still deserves notice for two core reasons. First, it is the single most thematic game I have ever played, it is without reservation The Lord of the Rings in a box. Secondly, its a game that tells an alternative version of history, written through gameplay of what I believe to be one of the greatest fantasy stories in existence unless you count Star Wars.

Why don’t I play it. Its hard to say, its not a lack of desire, but more circumstance. Its a two player game that takes a good 4-5 hours to play for starters which is not that easy of a thing to pull of for a guy like me who has a dozen gaming friends who always want in on board game night. Though this isn’t really the only problem. The second kind of difficult thing with War of the Rings is that its a terrible game to teach. It requires intricate knowledge of the cards/events, board and an understanding of some of the strategy which can be quite high level and though the game is not really complex per say, it does have an element of randomness that doesn’t really mesh well with the length of the game. Its something that I find is a problem in a lot of games, randomness and long games are a really bad combo. Still when played by experienced players, War of the Rings luck can and is completely circumvented. Beneath its ulterior is a very deep strategy game.

I love this game, it tells a great story, it makes for a fun evening and with the right opponent it will make for a great game two man game night.

Recommendation: If you have a dedicated gaming partner, this is one worth learning and playing repeatedly as it gets better with time. Its a must have for Lord of the Rings fans.

3. Shogun (Dirk Henn version)

Most of Dirk Henns games are in the “not my thing” category, but Shogun is about as me as you can get.

Shogun has been on my top 10 best games of all time list as long as I have kept one. There is so much to love about this game. It combines deep strategic thinking and planning with the wacky and chaotic gameplay reminiscent of Galaxy Trucker. I will submit that this combination will not be for everyone, but to me, board gaming is about having fun and this game brings it in a way no other game I have ever played does.

Ok so its not a serious war game, that cube tower is just down right silly but I have never played this game at any table where when cubes go into the tower people aren’t shouting, cheering and standing up. Its a game that goes from silent contemplation to people laughing out-loud in a single round of play. Some games I love because they are deep and strategic, others I love because they have interesting and thoughtful mechanics, others still I love because they are silly or funny, but Shogun I love just because it combines all of it into a single game.

Its a game that is very easy to grasp, it will capture that casual “RISK” crowd, it has plenty to offer for more seasoned war gamers, yet its play time is relatively quick so it never overstays its welcome.

I would never dare to make a best of list without Shogun on it, it checks so many boxes it can be justified on just about any list but certainly on one with my favorite war games list. Love, love it.

Recommendations: Really and honestly I believe this game has universal appeal if you have an open mind, but my experience has been that some people love it, some people hate it.

2. Game of Thrones The Board Game

This is a game that is played in the minds of the players, the board and pieces are mostly distraction.

While I have much love for the 2nd edition card game as well, to me the board game is a representation of everything I love about war gaming. It is not only a high level strategic war game with asymmetrical factions in an awesome fantasy setting, but throws into it that classic “diplomacy” style betrayal of move and counter move politics. There are so many ways to screw opponents and get screwed by opponents that every turn of the game is a nail biting assessment of what if scenarios and I have rarely ever played this game with anyone where all the passion and raw human emotion a gaming group can muster doesn’t spill onto the table.

This is a very controversial game that may not work with some groups if for no other reason then its a requirement to lie and betray to win, which can create a lot of hostility at the table and create a huge disadvantage for the more casual gamer. Its a cruel game where the only way to win is to completely screw people over and much like the classic Diplomacy it can rub people the wrong way.

My gaming group loves it and every year we do a big game of Game of Thrones at our big board gaming weekend, its always the main event, but be weary, its a long, painful and very hostile game that will end less mature friendships. Adult Advisory on this one.

Recommendations: I would say if you can handle games like Diplomacy, you are going to love this one, but I always put a friendship advisory on this one, its a rough ride and a fairly complex game to boot.

1. Twilight Imperium

There is no doubt in my mind that this is the ultimate gaming experience available in the board game market period.

Easily one of my favorite science-fiction war games, while Twilight Imperium is a fairly complex game and in depth game, I’ve never had much trouble inducting new players. There is a lot of “common sense” rules in the game and even a casual observer can pick up the core concept of the game with ease. There are a lot of moving parts and a fairly multi plateau of strategy that can stump new players, so experience certainly makes a difference but I find a reasonably seasoned gamer doesn’t require more then a couple of turns for the light to come on and understand how to win.

In either case, while the focus of the game is a grand scale intergalactic war the game also features trading, politics, diplomacy and various types of resource management and careful strategic positioning. There is a lot more to it then simply fighting, yet most games are ultimately resolved through direct conflict and the winner is typically the person who created the best setup for himself going into that war.

Amazing game, but it is one of those 6 to 8 hour games that is always at its best with 6 players which can be a fairly difficult game to put together. Though I only play it roughly once a year or so, It’s always one of my favorite gaming get together’s. Its been on my shelf since 3rd edition, over a decade and now with the new streamlined 4th edition there is even more justification to get into this one.

I put it as number one on this list because to me, there is gaming, there is war gaming and then there is Twilight Imperium. It stands out as a unique experience that I have never seen any other game come even close to. Anything can and will happen in this game, no two games will ever resemble each other and you really can spend countless hours contemplating the endless possibilities in the depths of its strategy. This is without question in my mind THE best war game ever made.