Category Archives: Boardgame Review

Review: Tembo – Survival On The Savanna

I’ve been described by friends as many things over the years, but my personal favorite is “a fully functioning idiot.” Honestly, I think that’s a fairly accurate assessment.

That same quirkiness extends to my taste in board games, which is probably why my enthusiastically recommending a cooperative game about escorting elephants across the African savanna sounds completely out of character.

Generally speaking, I don’t like cooperative games, regardless of theme, but theme is rarely the problem for me.

Why sign up to review a cooperative game if, in general, I don’t like cooperative games? This picture is the answer. I saw this and thought to myself, that is one beautiful game I would like to see in person. The use of color, wonderful components, and amazing art really brings this game to another level. I figured if I end up liking it, it will be an easy game to get to the table.

Even more strangely, when I do like one, it rarely seems to be the ones everyone else loves. I have no explanation for this phenomenon other than the possibility that I’m simply wired differently somehow, or I’m a cooperative gaming hipster. Who knows!?

Take Pandemic, for example, one of the most beloved cooperative games around. I actively dislike it. Pandemic Legacy did nothing to change my opinion; it was just an extended version of the same game with the same problems. Gloomhaven bored me to tears. I still maintain it’s essentially shitty Dungeons & Dragons with all the roleplaying surgically removed, and I never understood the obsession with Clank! either. Its repetative if it’s anything.

Clearly, I’m the problem? Perhaps. Perhaps not.

So why has a cooperative game about herding elephants managed to win me over?

The answer has surprisingly little to do with elephants.

What I enjoy most about cooperative games is genuine adversity. I want a game that repeatedly beats us into the dirt before we finally scrape together a victory through experience, better teamwork, and a little bit of luck. That moment where everyone around the table erupts because you’ve finally solved a puzzle that seemed impossible three games earlier. That’s the magic of cooperative gaming to me and coincidentally, it’s what makes for a good solo game as well.

Which checks out. Among the cooperative games I love, you will find games like Lord of the Rings: The Card Game. An absolutetly brutal and unforgiving deck builder and the lesser-known Peloponnesian War by Mark Herman, a game, if you can win, you should call the designer, he will be impressed! Both are great games to play cooperatively, but for me, these are just fantastic solo games.

Peloponnesian War is a historical war game and technically a solo game. Yet, I found Tembo reminded me of it a bit because it’s this really great puzzle that you have to solve, and I love living inside my head, obsessing about a game that is just absolutetly crushing me as they say “is the juice!”. The Peloponnesian War was the last game I played solo that did that, and it’s exactly what I got out of Tembo, which was really great. I love a good challenge.

Tembo delivers exactly that energy.

I’ve also discovered over the years that there are three things I absolutely cannot stand in cooperative games.

First, I dislike “alpha gamer” designs where one experienced player effectively takes everyone’s turns for them. Pandemic has always been the poster child for this. Once someone at the table knows the optimal strategy, everyone else gradually becomes an unpaid intern carrying out instructions.

Second, I have very little patience for cooperative games that secretly don’t want you to lose. You know the type. They’re less games than guided theme park rides where the illusion of danger is far greater than the actual challenge. If failure requires the combined tactical brilliance of a potato, something has gone wrong.

Finally, I want games that earn their victories.

If my group beats a cooperative game on the first attempt, chances are it wasn’t difficult enough. That’s admittedly a slightly unfair benchmark because the people I regularly play with are seasoned hobby gamers. We tend to solve difficult games faster than most groups. Fate: Defenders of Grimheim is a good example. I genuinely believe it’s an excellent challenge, yet we’ve somehow managed to beat it every single time it’s hit the table on the highest difficulty level.

Tembo is different. I’ve now played it well over a dozen times. I’ve won once. And that’s exactly why I keep coming back.

Even the introductory challenges continue to force me into difficult decisions. Every defeat leaves me convinced there’s a better strategy waiting to be discovered, another approach I haven’t considered, another tiny optimization that might finally tip the scales in my favor.

That’s exciting. That’s the sort of cooperative game I want to play.

Behind the adorable artwork, charming elephants, and wonderfully approachable rules lies a genuinely demanding puzzle, one that’s far cleverer than it first appears.

And for someone who generally doesn’t enjoy cooperative games as a whole, that’s about the highest compliment I can give.

Overview

Final Score: christmas_starchristmas_starchristmas_starchristmas_star(3.85) Great Strategic Puzzle

The best way I can describe Tembo is as a deceptively simple puzzle that’s constantly trying to outsmart you.

The objective itself couldn’t be more straightforward. You’re guiding a herd of elephants across a randomized savanna, escorting them safely from one side of the map to the other. If all your elephants make it to the destination, you win.

Unfortunately, the game seems to have taken that simplicity as a personal challenge.

The first obstacle is that your herd can’t simply march to the finish line. Along the way, there are six key locations that must be visited before victory is even possible. Every detour costs precious time and resources, forcing you to constantly weigh short-term efficiency against long-term necessity.

Checking off the different locations before you march your elephants to the finish line is the big catch here, but the complexity is tripled down on because you have to manage this little trip around the savanna while avoiding lions and staving off the Matriarch cards.

Then there’s your energy supply.

Energy is brutally limited and slowly drains away as you play certain cards. You can replenish it by visiting certain places scattered around the board, but doing so often requires abandoning the route you actually wanted to take. Ignore your energy, and you’ll eventually grind to a halt. Chase it too aggressively, and you’ll waste so much time that victory slips away anyway.

It’s a wonderfully uncomfortable balancing act. The elephants themselves introduce another layer of complexity.

Your herd must always remain connected, forming an unbroken chain stretching across the landscape. Periodically, you’ll need to play a Matriarch card, relocating the lead elephant somewhere else in that chain before gathering up the rest of the herd and beginning the journey again from that new position. It’s a clever mechanism that constantly forces you to rethink your route instead of simply extending the same line across the board.

As if that wasn’t enough, you’re also building the savanna as you play.

The terrain itself is created by laying down landscape cards, determining not only where your elephants can travel, but also providing the resting places needed to recruit additional elephants into your growing herd.

The game is further complicated by lions that will periodically activate and hunt your elephants, which, when successful, will permanently remove members of your herd and weaken your chances of success.

The lions can absolutetly devastate any attempt at a victory, no matter how brilliant your strategy, they are the big trump card that you must be ready for at all times. In most scenarios, their starting location really determines just how difficult a scenario will be.

Individually, none of these systems are particularly difficult to understand. Collectively, they’re fiendishly difficult to master.

That’s where Tembo really shines.

Every turn feels like you’re solving a Rubik’s Cube where twisting one side somehow rearranges three others. You finally solve your energy problem only to discover you’ve broken your elephant chain. You build the perfect route only to realize you’ve skipped a mandatory objective. You manage to get your chain set up correctly, only to have it cut by a lion attack. Every solution creates two brand-new problems, and somehow that’s exactly what makes the game so satisfying.

For all of those reasons, I absolutely adore Tembo.

Interestingly, though, I don’t think the cooperative aspect is actually its biggest strength.

Don’t misunderstand me, it’s an excellent cooperative game I would recommend to any group of gamers. Sitting around a table with friends trying to untangle this puzzle is hugely rewarding, particularly after several failed attempts. Everyone contributes ideas, everyone spots different opportunities, and those eventual victories feel thoroughly earned.

But for me……the real magic is the solo game.

I’ve been slightly obsessed with Tembo for the better part of two weeks. I’ve replayed the opening challenges more times than I care to admit, and despite losing, well, pretty much always, I keep coming back for “just one more attempt.”

That’s the sign of a great puzzle to me, if it feels like I can’t solve it, that drives me to try over and over again.

Every defeat feels deserved. Every loss convinces me I was only one or two better decisions away from success. Every new game teaches me something I hadn’t noticed before.

I’ve only managed to beat the game a handful of times on the most basic difficulty levels after two weeks of trying. Either I’m stupid, or this game is hard!

Normally, that would frustrate me. Instead, it just makes me want to shuffle the cards and try again.

That’s probably the strongest recommendation I can give. Tembo isn’t simply difficult.

It’s addictively difficult, and for players who enjoy slowly unraveling a beautifully constructed puzzle, I think that’s exactly what makes it special, and it’s the main reason to get into this game.

Components

Score: christmas_starchristmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_star

Pros: Looks great, feels great, is great.  Quality publication with an eye for great art.

Cons: You would have to be pretty picky to find a problem here.

Reviewing components has become a slightly strange exercise these days. Twenty years ago, component quality could make or break a game. Today, the industry standard is so consistently high that most productions simply clear the bar. It has almost become a pass-or-fail category rather than a meaningful differentiator.

Tembo is a perfect example of that.

Everything in the box is exactly what you’d hope it would be. The cards are excellent, the modular board tiles are thick and durable, the wooden elephant tokens are charming, and all of the cardboard components feel like they’ll comfortably survive hundreds of plays. Long before the components begin to show any wear, you’ll almost certainly have exhausted the game itself.

The presentation deserves particular praise. Once everything is laid out across the table, Tembo does a wonderful job of evoking the African savanna. The warm color palette, inviting artwork, and clean graphic design all come together to create a game that’s simply pleasant to look at.

Tembo is more than just pretty, its very functional. Good use of iconography, a very well laid out rulebook, and good reference material make learning to play and executing this game that much easier. This is the standard I think all games should meet.

The insert also deserves a quick mention. It’s thoughtfully designed, keeps every component neatly organized, and makes setup and teardown refreshingly painless. It sounds like a small thing, but after wrestling with enough poorly designed inserts over the years, I’ve learned to appreciate the ones that simply do their job.

If I had one criticism, it’s that the production occasionally wanders into the realm of unnecessary spectacle.

The cardboard standees used for trees and location markers certainly look nice on the table, but functionally, they don’t add very much. A simple token or tracker could have communicated the same information while reducing both production costs and setup time. I understand the designers were aiming for immersion, and aesthetically it works, but it also feels like an easy place where the game could have been streamlined without sacrificing the experience.

That’s a relatively minor complaint, though.

Overall, Tembo is a beautiful production. The artwork is gorgeous, the components feel premium without being excessive, and everything has clearly been designed to withstand repeated play. More importantly, the production serves the game rather than distracting from it. The iconography is clear and easy to remember, and there are plenty of cheat sheets and reference material, so you don’t have to go searching through the manual to answer the few questions you might have during play.

In the end, I really don’t have much to complain about.

It’s a polished, attractive package that feels every bit as refined as the gameplay inside.

Theme

Score: christmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_star

Pros: The art sells this theme, and for a strategy puzzle game, the theme comes across surprisingly well.

Cons: This family-friendly theme may result in a disconnect between expectations and reality.  It may look like a family game, but this is definitely a complex strategic puzzle that casual gamers will struggle with.

For games that are fundamentally abstract puzzles, theme often takes a back seat to mechanics. Whether you’re moving cubes through a medieval marketplace or elephants across the African savanna, the underlying puzzle usually remains the real attraction.

Tembo is no exception.

I’m a sucker for a pretty game with pretty colors, but at the end of the day Tembo’s theme and eye candy is not the main attraction here; this game lives by the wonderful strategic puzzle it presents, the eye candy is just a cherry on top.

That said, if you’re going to wrap a puzzle in a theme, marching a herd of elephants across the African savanna is a pretty inspired choice.

There’s something immediately calming about it. The artwork evokes the same feeling as a lazy Sunday afternoon watching a wildlife documentary, complete with the soothing narration of Sir David Attenborough gently explaining why the elephants are, once again, making better life decisions than the humans.

The artwork deserves particular praise.

The color palette is absolutely gorgeous. Warm oranges, rich greens, and soft earth tones combine to create a board that is both inviting and unmistakably African safari. Every illustration feels carefully considered, giving the game a personality that’s difficult not to appreciate. It’s one of those games that naturally draws people over to the table simply because it looks so attractive.

The adorable presentation is both one of the game’s greatest strengths and, oddly enough, one of its greatest deceptions.

Everything about Tembo screams “friendly family game.” The rules are straightforward, the elephants are charming, and the presentation couldn’t be more welcoming.

Then the game proceeds to repeatedly crush your spirit.

It’s almost comical how vicious the puzzle hiding beneath those cute illustrations actually is. I can easily imagine families picking this up expecting a relaxed cooperative adventure, only to discover they’ve accidentally signed up for an advanced logistics course run by elephants.

That contrast is strangely endearing.

The theme itself isn’t deeply woven into every mechanism, but it provides enough context that every action makes intuitive sense. You’re exploring the savanna, guiding your herd, managing their energy, and carefully navigating the landscape toward safety while avoiding predators. The mechanics never feel disconnected from the story the game is trying to tell.

As I understand it, Tembo is part of a broader series of nature-themed games, although I haven’t had the opportunity to play the others.

My understanding, mind you, I did the absolute minimum amount of research here, is that Deep Blue is a member of the game series that Tembo completes. Looking at the wonderful use of color here, that would not surprise me. It definitely piqued my interest.

What I do know is that designer Asger Granerud has developed a reputation for elegant designs with memorable themes. Between Flamme Rouge, Heat: Pedal to the Metal, and now Tembo, there’s a clear pattern of taking relatively straightforward mechanisms and wrapping them in themes that immediately resonate with players.

The theme isn’t the reason I keep coming back to Tembo. The puzzle is.

But the beautiful presentation, charming artwork, and wonderfully peaceful atmosphere certainly don’t hurt. They make repeatedly losing feel just a little less painful, which, given how difficult this game is, might be one of its smartest design decisions.

Gameplay

Score: christmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_starchristmas_star

Pros: The simple rules disguise a very complex puzzle that requires a lot of game knowledge and experience before you succeed.  Great challenge.

Cons: Despite best efforts from the design perspective, some games you will simply lose because of a bad draw, and some you will win because you got lucky.

Whenever I review a game, there are two questions I always ask myself.

The first is simple: Have I played this game before?

Not literally, of course. But most games borrow ideas from somewhere. Worker placement, deck building, tableau building, drafting; modern board games are built on decades of fantastic design, they are usually evolutions, not revolutions. But every now and then, a game presents a puzzle that feels genuinely fresh, a design that makes me stop and think, “I haven’t quite seen that before.”

Those games always get my attention.

The second question is equally important: Can I solve it immediately?

If the optimal strategy reveals itself during the first play, my interest tends to fade rather quickly. What keeps me coming back are games that slowly reveal themselves over repeated plays. Games where every defeat teaches you something, every victory results in you uncovering another layer, and you’re constantly left wondering if there’s an even better approach waiting to be discovered.

Tembo ticks both boxes.

On the surface, it looks like a pleasant little family game about escorting elephants across the African savanna. The rules are approachable, the artwork is adorable, and nothing about the presentation suggests a strategic monster lurking beneath. And perhaps Tembo is not exactly that, but it’s certainly a lot more than what’s on the tin suggests.

That’s wonderfully deceptive. As I’m writing this review, I’ve played Tembo roughly fifteen times. I’m still discovering new ideas. I’m still excited to play.

What’s interesting is that my first impression was actually fairly lukewarm. After my opening games I remember thinking, “This is interesting… but I’m not sure there is much more here than a push your luck game.”

Then I lost. Again. And again.

Losing at Tembo is not hard to do; things can escalate and get out of control pretty fast, especially once the lions get close to the herd. It can be a bit frustrating at times.

Those defeats bothered me enough that I refused to write this review until I’d actually beaten the introductory scenario. More importantly, as I lost, I could see that it wasn’t luck that was driving my defeats.

Eventually, I did win. That’s when the obsession started.

Instead of feeling satisfied, I immediately wanted to tackle the next challenge. Then the next one. Then the next. Every victory revealed another layer of the puzzle, and what initially looked like a pleasant family game gradually transformed into one of the most fascinating strategic puzzles I’ve played in a while.

The best way I can describe Tembo is that it rewards thinking several turns ahead without ever becoming mechanically complicated, with some luck management. The rules remain wonderfully straightforward, but the game is a lot deeper than the rules suggest.

The strategy doesn’t end with solving one of the puzzles; there is a lot more to learn after finishing the first couple of scenarios.

Whether you’re playing solo or cooperatively, I think three elements combine to make the game exceptional.

Every Puzzle Feels Different

The first is the dynamic map.

Every scenario changes the layout of the savanna, but the map tiles themselves also rotate between games. Add to that the impact of the locations of the lions and suddenly every puzzle demands a different approach.

Some layouts reward speed. Others reward caution. Some practically force you to detour for energy, while others encourage aggressive expansion before the lions begin closing off your options.

How you build up the savanna with cards is vital to any strategy, but you’re always working with the constraints of the cards you have drawn. There is a lot of nuance in this little card game built into Tembo, it takes several games for the lights to come on.

The game constantly asks you to reassess your plan rather than relying on whatever worked last time.

Information Is a Resource

The second thing Tembo quietly expects from its players is card counting.

Keeping track of how many Matriarch cards remain in the deck, how many Lion cards have already appeared, and what your odds are on the next draw becomes increasingly important as the difficulty ramps up.

It’s a little like Blackjack. Your odds of winning feel random until you card count, and then suddenly it feels far more strategic. Vegas refers to using strategy in Blackjack as cheating, because it’s that effective. Though card counting here is an intended element, there is even a reference card that helps you do it, and of course, it’s considerably less complicated to count cards here than in Blackjack. It’s an obvious part of the strategic expectation designed into the game.

You never have complete control over what happens next, but understanding the probabilities dramatically improves your chances of making the right decision.

Ignoring the deck is possible. Winning while ignoring is not unless you get really lucky.

Resource Management Is Everything

Finally, and most importantly, there’s resource management.

Energy and rested elephants are the lifeblood of the game. You’ll never have enough of either.

Energy constantly disappears, forcing difficult decisions about when it’s worth diverting from your route to replenish it. Running out is one of the endgame loss conditions, so its nescessary to keep your levels up. Meanwhile, your elephant herd gradually shrinks as lions become more aggressive and the board grows increasingly hostile.

Managing those two resources while simultaneously planning your route, tracking the deck, and preparing for future Matriarch resets creates an astonishing number of possible board states.

Every turn feels meaningful. Every mistake has consequences. Every successful move feels earned.

It’s very easy during your first few games to fall into the trap of simply hoping things work out.

“I’ll probably draw the card I need.” “Hopefully the lions don’t appear here.” “Maybe I can squeeze out one more move…”

Sometimes you’ll even get away with it. Tembo quickly teaches you that hope and luck is not a strategy.

The greater difficulty scenarios demand careful planning, disciplined resource management, and a willingness to think several turns into the future. That’s where the game truly comes alive.

Interestingly, while the cooperative and solo experiences are mechanically almost identical, I actually prefer the game solo. The cooperative restrictions around discussing cards create a slightly different challenge, and it’s still an excellent multiplayer puzzle, but it was the solo mode that completely hooked me. It’s where I’ve spent most of my time, and it’s where I think Tembo truly shines.

What I love most about the design is that it never advertises any of this.

On the surface, Tembo looks like an approachable cooperative family game with adorable elephants. And it kind of is, but hidden underneath that theme is one of the smart, very satisfying strategic puzzles well worth exploring by veteran gamers.

That’s a wonderful achievement. And it’s exactly why I think Tembo is a very underrated game. It deserves more attention in my humble opinion.

Replayability and Longevity

Score: christmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_star

Pros: It’s going to take a lot of replays to complete all of the difficulty levels, and you’re definitely getting your money’s worth.

Cons:  Eventually, the puzzle will feel solved, and the game will run out of steam permanently.

Replayability is perhaps the most difficult category to score in Tembo because the answer depends entirely on what you’re expecting from the game.

From a pure value-for-money perspective, I don’t think there’s much to complain about. At roughly the €35–40 price point, Tembo offers a tremendous amount of gameplay. It took me around fifteen plays just to consistently solve some of the introductory scenarios, and I suspect the later challenges will demand at least that many again before I feel like I’ve truly mastered them. Then there is the potential of introducing it to new players and enjoying their discovery and experience.

Frankly, that’s already more plays than many games in my collection ever receive.

There is a campaign mode that comes with Tembo, and for this review, I did not even attempt it. I think it’s for an advanced level of play. Just reading the instructions, I could see how very difficult a challenge that will be, but it does give the game a bit of extra longevity.

When I look across my shelves, the list of games I’ve played thirty or forty times is surprisingly short. Tembo is well on its way to joining that club, and that’s saying something.

That said, I don’t think Tembo is the sort of game you’ll play forever. At its heart, it’s a puzzle. And puzzles, by their very nature, have an endpoint.

I don’t necessarily mean they’ll ever be completely “solved.” The randomized maps, card order, and dynamic board states ensure there’s always some variation from game to game. But eventually you’ll reach a point where the game has taught you most of what it has to teach. The surprises become less frequent, the strategies more familiar, and your decisions increasingly instinctive.

For some people, that might sound like a weakness. I don’t see it that way.

Not every game needs to become a lifestyle game that lives permanently on your table. Sometimes a game simply needs to provide dozens of hours of engaging, memorable gameplay before gracefully stepping aside for the next experience.

Tembo strikes me as exactly that kind of game. It’s a journey with a destination.

Eventually, you’ll reach the end, feel immensely satisfied that you made it, and happily place it back on the shelf knowing it earned every play it received.

I think there’s something rather fitting about that. After all, every migration eventually comes to an end.

Conclusion

When I sat down to write this review, I honestly wasn’t sure where I was going to land. If anything, I expected to be fairly lukewarm on Tembo.

Cooperative games and I don’t exactly have the best relationship, and if I’m being completely honest, I wasn’t particularly excited when I first agreed to review it. There was even a small part of me that regretted saying yes.

I’m very happy to report that I was completely wrong.

Tembo didn’t just surprise me; it quietly became one of my biggest gaming obsessions of the past few weeks.

It’s an unusual game. A cooperative strategy puzzle about escorting elephants across the African savanna isn’t exactly the sort of pitch that immediately grabs my attention, yet behind that simple, yet charming presentation lies one of the most satisfying and cleverly designed cooperative puzzles I’ve played in quite a while.

What impressed me most wasn’t the difficulty. It was the very subtle depth brought out slowly, even if it was a bit frustrating at times.

Tembo is one of those rare games that’s incredibly easy to learn but remarkably difficult to master. The rules are concise, intuitive, and approachable, yet the strategic puzzle hiding beneath them took me well over a dozen games before I felt like I truly understood what the designers were asking of me.

That’s exactly the sort of challenge I enjoy and certainly wasn’t expecting it from Tembo, a game about herding elephants.

I love going into a game with low expectations and being pleasantly surprised; it’s actually one of my favorite things about being a tabletop games reviewer.

Although Tembo plays wonderfully as a cooperative experience, it was the solo mode that completely won me over. It captures everything I love about solitary puzzle solving: the constant experimentation, the gradual discovery of better strategies, and the satisfying feeling that every defeat is teaching you something rather than simply wasting your time.

Yes, sometimes the game just beats you because of bad luck, not unlike a bad beat in poker, and that is going to happen now and again, but the more you play, the less often it happens, and that is experience kicking in. It might seem random, especially at first, but this game hides a lot of strategic subtlety.

If you enjoy cooperative puzzle games that genuinely expect you to think, titles like The Crew, The Gang, or even the more puzzle-oriented side of Spirit Island, I think you’ll find a lot to love here.

I also think it makes an excellent family game, with one important caveat.

Don’t mistake approachable rules for an easy game.

Tembo is genuinely difficult, and younger players or more casual families may find the constant defeats frustrating. Fortunately, the designers anticipated this. The support cards provide valuable assistance, and there are optional rules that soften the challenge for groups who simply want a more relaxed experience, like playing without event cards. Personally, I recommend keeping the event deck in play. It adds another layer of unpredictability and keeps the puzzle feeling dynamic, even if it occasionally results in spectacular failure.

Spectacular failure, in my opinion, is half the fun.

Tembo won’t be for everyone. If you’re looking for a light-hearted cooperative game where victory is almost guaranteed, you’ll probably bounce off it.

But if you’re the kind of player who enjoys wrestling with a difficult puzzle, learning through repeated defeats, and finally earning a victory that feels genuinely deserved, Tembo is an easy recommendation.

A beautifully produced, deceptively deep, and wonderfully addictive puzzle game that earned its place on my shelf the hard way, by making me want to play “just one more game” fifteen times in a row.

That’s about as high a compliment as I can give.

Review: First Giants (2026)

First Giants is a wonderfully straightforward tableau-building card game about excavating dinosaur fossils and assembling museum displays to score victory points. Mechanically, it’s about as simple as modern Euro games come. You’ll acquire cards, convert them into points, improve your efficiency, and repeat. It’s a gameplay loop that has been explored countless times over the past two decades, to the point where releasing a game in 2026 that relies almost entirely on this formula feels, at first glance, a little old-fashioned.

And yet… That’s exactly why I think First Giants succeeds.

The elegant rules, gorgeous illustrations, exceptional rulebook, and effortless teachability combine to create something that’s becoming surprisingly rare in today’s hobby: a genuinely approachable strategy game. One that doesn’t require an hour-long rules explanation, twenty different icon references, or a veteran gamer sitting beside you translating every symbol on the table.

Looking through other reviews, I couldn’t help but notice a common theme. Most approach First Giants from the perspective of experienced hobby gamers, asking whether it offers enough mechanical innovation and depth to compete with other games in this genre. Often comparing it to much more involved and complex games like Elysium. Let me save you the agony here: it does not, not even a little bit.

That makes a lot of sense on the surface, but I think that’s an approach that answers the wrong question.

First Giants isn’t trying to reinvent tableau building quite intentionally. It’s trying to introduce it, more specifically, it’s trying to introduce it with a theme beloved by kids, in a way that kids can get their heads around it. I have been board gaming now for over 40 years, and I can tell you that in all that time, if any kids between the ages of 8-15 come into my office to pick a game, they will grab one with dinosaurs on it 100% of the time. It’s just how it is, kids love dinosaurs! Hence, a game about Dinosaurs has to be for kids.

If you’re looking for the next Ark Nova, Terraforming Mars, or Earth, this probably isn’t the game that’s going to blow your socks off. But if you’re looking for a game you can comfortably put in front of your children, your parents, or friends who think UNO represents the pinnacle of modern board game design, First Giants suddenly becomes a much more interesting proposition.

Lots and lots of dinosaurs, that’s what this game is. It’s a theme masquerading as a strategy game. The point here I think, is that when you want to get kids to the table, you need a good hook. Dinosaurs are easy to sell.

Wrap that universal appeal around a genuinely solid gateway game, and you’ve got something that’s arguably far more valuable than yet another mechanically brilliant Euro destined to be played exclusively by people who already own fifty mechanically brilliant Euros.

Sometimes a game doesn’t need to innovate. Sometimes it just needs to be exactly the game someone is ready to discover. That is the target audience for First Giants, people taking their first steps, and most importantly, kids.

Overview

Final Score: christmas_starchristmas_starchristmas_starchristmas_star(4.05) Great Family Game 

First Giants takes one of the hobby’s most familiar mechanisms, card-based tableau building, and strips it down to its absolute essentials. There are no elaborate engine-building chains, no sprawling technology trees, and no half-dozen subsystems all competing for your attention. You buy cards, build a collection of dinosaur fossils, use their abilities as efficiently as possible, and eventually convert those collections into museum displays worth victory points.

And……that’s pretty much the entire game.

Normally, that might sound like criticism, in most reviews I read for First Giants, that was in fact the criticism levied against it. The game doesn’t innovate established mechanics, it lacks depth, and it’s, in a word, too simple. I see an issue with that approach to First Giants, this is a game that does those things very intentionally.

At no point did I get the impression that the designers lacked the ability to make the game more complex with greater strategic depth. Quite the opposite. There are countless directions they could have taken the design, additional resources, more player interaction, asymmetric powers, multi-stage fossil excavations, set collection bonuses, evolving museums, the possibilities are practically endless.

They simply chose not to. That restraint says far more about the designer’s intentions than their ability.

Mathew Dunstan and Brett Gilbert are perfectly capable designers who gave us the amazing Elysium, a card-driven tableau builder First Giants has a lot in common with. It’s a deep and rich strategic game that takes the very basic concept in First Giants and goes crazy with it.

First Giants knows exactly what it wants to be.

This isn’t a game designed for hobby veterans looking for their next heavy Euro obsession. It’s a game about dinosaurs aimed at families and younger players, officially recommended for ages 10 and up, although I wouldn’t hesitate to play it with children in the 6-8 age range.

And that’s where everything suddenly clicks.

The fun isn’t found in optimizing an economic engine or calculating the perfect scoring combo. The fun is discovering dinosaurs.

When I played First Giants with kids, the strategy quickly became secondary. They weren’t excited because they had found the most efficient card. They were excited because they had found their favorite dinosaur. Every new fossil sparked questions, conversations, and enthusiastic declarations about which prehistoric giant was the coolest.

That tells me the game succeeded.

The artwork deserves enormous credit here. Every card is beautifully illustrated in a soft watercolor style that feels more like the pages of a children’s natural history book than a traditional board game. Combined with the thick, oversized components, everything about First Giants feels welcoming, tactile, and wonderfully inviting.

The production continues that philosophy with one of my favorite inclusions in the entire box: the dinosaur appendix.

On paper, it’s simply a reference booklet explaining each card, organized by dinosaur types.

In reality, it feels like the kind of guide you’d pick up at the entrance to a natural history museum at that exciting moment right before you get to see all those wonderful giant monsters on display.

When I introduced First Giants to younger players, that booklet quickly became the most popular component in the box. They passed it around, argued over who got to read it next, and spent far more time asking me questions about dinosaurs than they did asking about the rules of the game.

That’s the moment where First Giants reveals what it’s really trying to accomplish.

It’s not simply teaching children how tableau building works. It’s encouraging curiosity.

When I was growing up educational games that were supposed to be “fun” while they taught, were boring tests of knowledge we had no hope of having acquired. It was silly. I’ve always believed that using games to inspire, rather than teach, was far more effective.

I suspect that’s exactly what the designers were hoping would happen. In fact, as I read the bios of Bret Gilbert and Mathew Dunstan, the two designers behind First Giants, I could almost imagine the conversations they had as they made this game.

As someone with a large extended family, where “Uncle Chris’s house” has slowly become synonymous with board games, I have absolutely no doubt First Giants will see plenty of table time over the coming years. It occupies a space in my collection that very few games do, a genuinely engaging gateway game that children actually want to play because the theme captures their imagination before the mechanics ever have a chance to, and strictly speaking, need to.

I don’t think First Giants will become the next great strategy classic. I don’t think it was ever trying to.

What it is is a beautifully produced, thoughtfully designed family game that understands its audience perfectly.

Components

Score: christmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_star

Pros: Great chunky components that feel and look fantastic on the table.  Great rules reference.

Cons: As a family game, a bigger, more deluxe production would have been worth the investment.

First Giants comes in a surprisingly compact box packed primarily with cards, alongside a handful of chunky cardboard components used to track your expeditions and construct your museum displays and various tokens.

Everything that is in the box is exceptionally well-made.

There is a silly amount of “stuff” in this small box, but the production quality is top-notch. No expense was spared, and the entire thing looks amazing on the table. Everything you want out of a good family game.

The cards are beautifully illustrated, the cardboard is thick and durable, and everything is uniformly designed with purpose. Throughout the production, there’s a consistent feeling that the designers expected this game to spend most of its life on family tables rather than sitting shrink-wrapped on a collector’s shelf.

One detail I particularly appreciated is that almost everything is just a little larger than it strictly needs to be. The components are easy to pick up, easy to read across the table, and sturdy enough to survive the sort of enthusiastic handling children are famous for. Anyone who has introduced board games to younger players knows exactly what I’m talking about. Components aren’t just played with, they’re squeezed, bent, stacked into towers, and occasionally inspected with fingers orange from cheese snacks.

First Giants feels built for that reality.

If I have one criticism, it’s almost an odd one. Part of me wishes there were a deluxe edition.

Not because the game needs more components mechanically, but because kids are naturally drawn to spectacle. A giant box filled with oversized dinosaur meeples, plastic fossils, excavation trays, or elaborate museum pieces would have absolutely no impact on the gameplay… but it would have an enormous impact on getting younglings excited before the first card is even dealt.

Sometimes, presentation is a key part of the experience, and in the case of First Giants, I think it’s doubly so.

Even without that hypothetical deluxe treatment, though, First Giants is an excellent production. The artwork is gorgeous, the components feel fantastic in the hand, and everything has clearly been designed with durability in mind.

Given its target audience, I honestly can’t think of much more I could ask for.

Theme

Score: christmas_starchristmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_starchristmas_star

Pros:  As a family game, the dinosaur theme is a homerun.  Beautiful art, appealing aesthetic, sells the entire thing long before any rules come out.

Cons: I have never met anyone who doesn’t like dinosaurs.

The choice of theme for First Giants is about as close to perfect as you could hope for. In fact, I’m not convinced the game would have had anywhere near the same appeal had the designers chosen almost anything else.

Dinosaurs sell.

Kids are fascinated by them, adults are fascinated by them, and there’s something universally appealing about uncovering creatures that ruled the Earth millions of years ago. The theme immediately sparks curiosity before a single rule has been explained, and that’s a tremendous advantage for a family game.

Better still, the mechanics support that theme remarkably well.

The theme in First Giants sticks the landing exceptionally. You can explain the game in thematic terms while explaining the rules, without it feeling like a stretch. It all just clicks.

Your little wooden explorers travel to excavation sites, uncover fossils, add those discoveries to your collection, and eventually transform them into museum displays. Every step of the gameplay reinforces the narrative of building your own natural history museum, and because the actions are so intuitive, teaching the game becomes surprisingly effortless.

That last point is more important than it might sound.

When introducing kids to board games, explaining mechanics in purely mechanical terms is often a losing battle. Telling a child they need to “optimize their tableau” or “manage their engine” is a great way to watch their eyes glaze over.

Tell them they’re archaeologists searching for dinosaur fossils to display in their very own museum, and everything falls into place for them.

Everything on the table has an obvious purpose. There are excavation sites to explore, fossils to discover, a museum to fill, and prehistoric giants waiting to become the centerpiece of the next exhibit. The rules almost explain themselves because every action naturally follows the story the game is telling.

The artwork deserves special recognition here. Quite simply, it’s gorgeous.

The soft watercolor illustrations give every dinosaur an almost storybook quality that immediately captures attention. Before long, players stop asking which card is worth the most points and start asking, “Can I have the Triceratops?” or “Look at this one!”

That’s exactly what you want.

The artwork transforms the cards from game pieces into discoveries, and for younger players, that’s an important distinction. They’re no longer collecting points.

They’re collecting dinosaurs.

That’s a subtle difference, but it’s one that First Giants understands perfectly.

For a family game, I honestly couldn’t have asked for a better thematic execution. The theme is engaging, the mechanics reinforce it at every opportunity, and the artwork does the rest. It’s a wonderful example of a game where every design decision pulls in the same direction, making the whole experience feel natural, intuitive, and just a little bit magical.

I can imagine, however, that for more serious gamers looking for a strategic experience, this probably won’t quite do the trick. Sure, dinosaurs are cool, but for most seasoned gamers, collecting dinosaurs because dinosaurs are cool is going to be insufficient for a sales pitch.

Gameplay

Score: christmas_starchristmas_star
Tilt: christmas_star

Pros: Simple rules that are easy to teach and learn make it ideal as a casual, kid-friendly family game.

Cons: There is just insufficient strategic depth or variability to hold your typical board game enthusiast’s interest.

When it comes to playing First Giants with children, I’ll say it plainly. This is a wonderful game.

Collecting dinosaur fossils, building museum exhibits, and scoring points is already more than enough to keep younger players engaged. Better yet, the game is simple enough that the rules disappear into the background, allowing children to focus on what they’re actually doing rather than how they’re doing it. Judged as a family game, First Giants delivers exactly what it promises.

Viewed through that lens, I’d happily give the gameplay five stars.

Let’s put on the seasoned gamer’s hat for a minute.

While I genuinely love the presentation, the production, and the overall concept, mechanically First Giants never really develops beyond its opening act.

That isn’t because the game is simple.

Simple games can still possess incredible strategic depth. Ticket to Ride, Small World, and Wingspan are all relatively accessible games, yet they reward repeated plays because players gradually discover richer decision spaces, stronger combinations, and increasingly subtle strategies.

First Giants never really gets there.

It’s not really a flaw in the game that the gameplay is ultra simplistic, lacking meaningful depth, as these things add complexity, and you don’t want that here. This is a family game, that’s where it lives for better or worse.

Most dinosaur cards either provide an immediate one-time effect or a passive ability that only rarely and mostly unreliably triggers while the card remains in your tableau. The problem is that there’s very little incentive to keep those cards around. Once they’ve provided their play value, you’re almost always better off converting them into museum displays and scoring the points at the first opportunity.

There simply isn’t enough engine building, if there is any at all, to create interesting long-term decisions.

Likewise, the museum objectives remain extremely straightforward and the same each game. You’re either collecting dinosaurs of the same species across multiple colors, or assembling sequential dinosaurs within a single color. On top of that, players receive bonus points for constructing the largest museum exhibit in each color.

That’s the puzzle. And unfortunately, it doesn’t evolve beyond that.

Because the objectives never change from game to game, the decision space quickly becomes fairly obvious. You draft the cards that best fit your current collection, trigger any useful abilities along the way, and convert them into points as soon as the opportunity presents itself.

There are certainly decisions to make.

Some cards work better together than others, timing matters, and paying attention to what your opponents are collecting is worthwhile.

But the strategy rarely feels particularly surprising or interesting.

There aren’t many moments where a clever engine suddenly comes online, an unusual strategy emerges, or a risky long-term investment pays off spectacularly. Most of the “correct” plays reveal themselves fairly quickly, and once you’ve understood the scoring system, subsequent games tend to follow the same patterns.

Perhaps the biggest limiting factor is how dependent the game becomes on the card market. Since you have very little control over which dinosaurs appear and player order determines who gets first choice, success often comes down to whether the right fossils become available at the right moment. You can certainly make mistakes, but the optimal decisions are usually quite obvious once the available cards are revealed.

For experienced gamers, that means repeated plays don’t uncover much hidden depth. The puzzle remains largely the same.

That’s perfectly acceptable for the audience First Giants is trying to reach. In fact, constantly introducing new systems or complicated strategies would probably work against its greatest strength as an approachable family game.

For hobby gamers, however, I think the experience is a different story.

Even as a filler, First Giants is probably too lightweight to keep seasoned players engaged for very long. It’s enjoyable, charming, and beautifully presented, but mechanically it never asks enough of its audience to remain interesting over repeated plays.

And that’s perfectly okay. Not every game needs to be designed for veteran gamers.

Sometimes the best family games are the ones that know exactly where to stop before complexity begins getting in the way of fun. First Giants understands that balance exceptionally well, even if it means veteran gamers will likely move on after a play or two.

Replayability and Longevity

Score: christmas_star
Tilt: christmas_star

Pros: As a family game, the theme will keep this one alive for a lot longer than the mechanics.

Cons:  Once you have played this game once, you have seen all there is to meaningfully see in this mechanic.

Replayability is one of those categories where the target audience matters more than almost any other.

When it comes to younger players, replayability is rarely driven by mechanical depth. It’s driven by emotional attachment. Children don’t ask whether the decision matrix has enough strategic variance or whether the scoring objectives are sufficiently dynamic. They ask whether they get to collect dinosaurs again.

First Giants absolutely delivers on that front.

The theme, artwork, and tactile components are engaging enough that I can easily see families returning to this game again and again. Children love repetition, particularly when they’re still discovering the world the game presents. I certainly don’t imagine many complaints from the younger audience this game was designed for.

Veteran gamers, however, are a different story.

For experienced players, I think First Giants probably has one or two really enjoyable plays before most of what it has to offer has been explored.

The first reason is that the game’s objectives never change. Every play uses the same museum collections, the same scoring conditions, and ultimately asks players to solve the same puzzle. Once you’ve identified the optimal ways to pursue those objectives, subsequent games feel very familiar.

The second issue is the card deck itself.

Every card is included in every game, and because cards are never permanently removed from play, it’s relatively easy to keep track of what remains in the deck. You may not see every dinosaur every game, but you quickly learn which collections are still viable and which ones can safely be abandoned. The uncertainty gradually disappears, taking some of the excitement with it.

For seasoned gamers, that’s probably the game’s greatest weakness.

There simply aren’t enough moving parts to make repeated plays feel substantially different. There are no variable objectives, no modular setup, no alternative strategies waiting to be discovered after your fifth or sixth play. Once you’ve experienced the game once or twice, you’ve largely experienced everything it has to offer mechanically.

The lack of diversity in the victory objectives means the game will get very repetitive and predictable. I think even for a family game, once the theme runs out of steam, this might be insufficient replayability long term. A good expansion with variations on the victory objectives could fix this.

That sounds harsher than I actually intend. Because I don’t think First Giants was ever designed to become someone’s forever game.

It was designed to be a family’s dinosaur game. Those are two very different goals.

As a gateway game for children and casual families, I think it will enjoy a long life simply because the theme continues to capture imaginations long after the mechanics have become familiar. For hobby gamers chasing the next endlessly replayable strategy game, however, I suspect First Giants will quickly become a pleasant memory rather than a permanent fixture on the shelf.

Conclusion

First Giants fills a very specific role in my collection, and it’s a role that comes up far more often than you might expect.

At my house, it’s perfectly normal for nieces, nephews, and the neighborhood to come over and ask, “Can we play a board game?” When that happens, I don’t want to spend twenty minutes explaining rules or worrying that the game will be too complicated. I want something that’s easy to teach, immediately engaging, and capable of capturing their imagination.

A game about collecting dinosaurs does exactly that.

I also think First Giants makes an excellent gateway into modern board gaming. It introduces players to tableau building, resource conversion, and light engine-building concepts without ever overwhelming them. Those are mechanics they’ll encounter throughout the hobby, and First Giants teaches them in perhaps the gentlest way possible.

Those two qualities alone are enough to justify its place on my shelf.

If you’re a seasoned hobby gamer looking for your next strategic obsession, I suspect you’ll bounce off this one fairly quickly. The puzzle simply doesn’t evolve enough over repeated plays to keep veteran players engaged for the long haul.

I think that’s judging the game by the wrong standard, but it is a far more common standard in the hobby today.

If your collection already has plenty of heavy strategy games but lacks something you can confidently teach to children, families, or complete newcomers to the hobby, First Giants is an easy recommendation.

Review: Kingdom Legacy: Exploration Expansion

When I reviewed Kingdom Legacy back in March, it walked away with a respectable 3 out of 5 stars. That’s probably worth explaining because, unlike much of the internet, I don’t believe anything short of perfection deserves to be launched into the sun. A three-star score is a very solid game in my book and absolutely worth playing. Anything above two stars is worth consideration.

That said, Kingdom Legacy wasn’t flawless from the standpoint of objective review. It had a few rough edges, and typically, I would say this is exactly why expansions exist. They’re often a second chance, the patch note in physical form, the opportunity to take a good game and turn it into a great one.

Kingdom Legacy, however, is a unique beast; the exploration expansion, like the many expansions that proceeded are not intended to fix balance or adapt playstyle, they are in a sense, a way to continue your legacy experience as you build up your own personal little world. It’s a bit more like a sequel or director’s cut with extra scenes for something you already love. This expansion isn’t trying to fix anything, for better or worse.

Unlike many of the other expansions for Kingdom Legacy, Exploration is not a modest little add-on either. There are almost as many cards here as in the original box, which means there is an awful lot of new content to explore. Yes, the pun is entirely intended, and no, I refuse to apologise for it.

So the question here isn’t whether Kingdom Legacy: Exploration fixes the game; the question is more about how it expands on the already awesome gameplay you know and love.

Overview

Final Score: christmas_star christmas_starchristmas_star( 3.15 out 5) Good Game!

One thing worth pointing out about my rating system is that it’s not necessarily a reflection of how much I like a game. Instead, it is an attempt to score games against a consistent structure that’s intended to be as objective as possible and fair as possible across all game reviews.

If you don’t believe me, consider that Blood Rage is still the only game in GamersDungeon.net history to receive a perfect 5 out of 5 stars, yet it does not even make my personal top twenty games of all time list. Meanwhile, Great Western Trail has sat comfortably on that list for nearly a decade despite earning only 3 out of 5 stars in my review. What I play and what rating a game gets using my rating system are not always going to align. Preference is not the same as judgment.

I consider Blood Rage to be a master class in game design and publishing. It is a perfect game, but that doesn’t necessarily mean that it flies to the top of my playlist. I enjoy it, but perfection and preference are not always bedfellows.

Kingdom Legacy falls into exactly that difference and, ultimately, so does Kingdom Legacy: Exploration.

If you asked me over a cup of coffee what I think of Kingdom Legacy, I would tell you it’s one of the most addictive solo card games I have played in years. It has occupied an embarrassing amount of my table time, and this expansion simply gives me even more reasons to keep shuffling cards instead of doing something sensible with my time.

As my wife says when she catches me on the deck shuffling cards, “Are you gonna do that all day?”, The answer is, yes, now fetch me a beer, wench!, I have a kingdom to run! (Note: this joke was approved by the wife; no husbands were injured or killed during the writing of this joke.)

Kingdom Legacy is an exceptionally simple game to learn and an addictive game to play that is just perfect as a solo experience. It has a ton of nuanced decisions that will have you asking the question, what if I… quite a bit.

In fact, this happens often enough that I am seriously considering adding a personal score to future reviews just to separate objective analysis and my personal preferences.

Kingdom Legacy: Exploration does quite a bit to change the overall rating of the original game, not so much because the latest edition of the game (2nd edition) changes anything, but my entire reflection on what this game is and how it is played was vastly altered by adding an expansion to it. Not that it changed how you play, but more like it opened a new avenue of understanding just what this game is about and what about it makes it so brilliant while also simultaneously exposing some of its flaws as a product.

In Exploration, you will find lots of cards that play off each other, but you won’t get them all in play, so there are some tough choices to make that you will have to ponder, but as was the case in the base game, it’s not always 100% clear how these will impact you in later stages of the game. That is the fun part with this system: you do stuff to see what happens.

If you already enjoy Kingdom Legacy and your first thought after finishing a campaign was “I wish there was more of this,” then congratulations, your wish has been granted ten times over. This expansion adds more cards, more scoring opportunities, and more crucial decisions to the expansion of your kingdom than the core game did to this point.

On the other hand, if the base game never clicked for you, Exploration is unlikely to perform some sort of cardboard miracle. It is unapologetically an expansion for existing fans, and there is absolutely nothing wrong with that. While many expansions try to patch weaknesses or inject additional or new systems to attract new players, Exploration instead looks at Kingdom Legacy, nods approvingly, and says, “Here, have more.”

All of the new content focuses on the later stages of the game, where your kingdom is already sprawling, but like the core game, every decision has layers of consequences attached to it. Just like the base game, you will only see a fraction of the available cards in any single campaign, meaning it will take many plays before everything reveals itself. In a way, that is a flaw with Kingdom Legacy as a product, as it is a legacy game designed to be played once.

Thankfully, the designers anticipated that. Unlike the core box, Kingdom Legacy: Exploration is designed to be played twice, meaning two base game campaigns (two kingdoms) can make full use of a single expansion.

And, as has become almost standard practice with this legacy game, sleeving the cards allows you to preserve and reset the experience if you prefer your kingdoms recyclable rather than disposable.

So what new treasures does Exploration offer? Well, if you’re a fan of this game, you’re in for a treat!

Components

Score: christmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_star

Pros: Good card quality cards with great documentation and online support for the game.

Cons: No major flaws, but there is nothing awe-inspiring; it’s just good.

Component quality in Kingdom Legacy: Exploration is identical to that of the core game, which is to say, quite good.

There is admittedly not a great deal to discuss here because, at the end of the day, it’s still a box full of cards. Thankfully, they are good quality cards with a nice finish and perfectly in line with what you would expect from a modern collectible card game. They shuffle well, hold up to repeated play, and serve that aesthetic and addictive process of card handling we all love perfectly.

The instructions for integrating the expansion into the base game are clear and straightforward, avoiding the all too common expansion tradition of making you search three rulebooks and a forum post from 2022 just to figure out where one deck is supposed to go.

It also benefits from the same excellent online support as the core game, making setup and rule questions easy to resolve.

Most importantly, the expansion feels completely consistent with the original release. Nothing about the presentation feels rushed or tacked on. It looks, feels, and plays like it was always intended to be part of the Kingdom Legacy experience, and for that reason, it earns exactly the same score as the core game, which is to say there is nothing particularly awe-inspiring; it’s just good.

Theme

Score: christmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_star

Pros: Mechanics and theme connect to create an addictive engine-building game with personality.

Cons:  The use of AI images absolutetly kills this game’s spirit, it makes it feel generic and uninspired with many poorly curated images.  It’s all rather soulless.

The central theme of Kingdom Legacy: Exploration is exactly what the title promises. Exploration opens up vast new lands to discover, unique buildings to construct, interesting people to recruit, and specialised equipment to uncover. All of this greatly expands the number of scoring opportunities available while also giving the impression that your kingdom has matured and is entering a much more robust level of growth. It’s all thematically well-connected.

In terms of expansions, there is no official order in which expansions for Kingdom Legacy are to be played, but to me, it felt quite right to have exploration be the first; it just feels like a natural fit.

Mechanically, I would not say the expansion dramatically changes the experience. It’s very much just more of the Kingdom Legacy you already like, which is exactly what fans are looking for. There are a handful of new events and scoring opportunities that are genuinely clever and produce the same little moments of surprise and satisfaction that made the base game so addictive. Nothing here fundamentally changes my opinion of the theme, but there are plenty of memorable moments that will leave you smiling just the same, and that is all I can say about that without spoilers.

Unfortunately, there is one grim topic that still hangs over Kingdom Legacy like an unwanted random event card, and it is more relevant now than when this game was first released.

Neither the second edition nor the Exploration expansion addresses the game’s reliance on AI-generated artwork; in fact, it leans fully into it as if this is not a major controversy in the board gaming world, a major miscalculation on the part of the publisher. The visual style remains inconsistent, with AI images that often look poorly curated and disconnected from one another.

This is a very common opinion about the use of AI images in board games. I would recommend that anyone publishing a board game in the future avoid AI art like the plague; whatever the benefit is, it’s not worth the backlash. AI art used to be disliked; at this point, using it makes you a pariah.

My position on the use of AI in board games hasn’t changed, which is to say, I don’t really care that much about it for hobby projects and small struggling publishers trying to get their game out, but I recognise that it’s an obvious shortcut, and it typically quite dramatically reduces the quality of a game. This is very true for Kingdom Legacy; it’s a considerably lesser game because of the use of AI images.

When I reviewed the original Kingdom Legacy release, I was willing to overlook AI in the rating because Kingdom Legacy was clearly a passion project from a small team experimenting with a new idea, and I was happy to give it the benefit of the doubt that this shortcut was taken out of necessity.

That argument and the leeway given are no longer appropriate. Kingdom Legacy has found an audience. It received a second edition. It has successfully launched many expansions. It is no longer an unknown experiment but an established product from a successful and prominent publisher with a proven record of success.

Simply put, any excuse given by an established publisher about why they use AI Images rather than hiring a real artist simply does not fly and should be vigorously opposed.

I think board game fans are justified in not supporting AI-generated games, as it damages the hobby as a whole. The more people that do this, the more it will normalise, and the less distinct and unique games will become. As hobbyists, we should fight against, speak out against, and reject AI art in our games, especially from established publishers who should know better and have the means to do better.

Gameplay

Score: christmas_starchristmas_starchristmas_starchristmas_star
Tilt: christmas_starchristmas_starchristmas_starchristmas_star

Pros: It has that addictive, just one more turn presence, lots of cool surprises for existing fans.

Cons: The legacy component of this game is out of place; it’s more a nuisance than a feature.

Writing a gameplay review for a legacy game is a strange challenge because the entire point is that I am not supposed to tell you what happens. It’s a bit like reviewing a detective novel by saying, “The ending is great, trust me,” and hoping everyone simply accepts that.

So I am going to dance around the spoilers as gracefully as I can.

Kingdom Legacy: Exploration focuses, like all of the Kingdom Legacy expansions, on the late stages of your campaign. The core game is all about building your tiny kingdom from a few acres of land. The expansions are where you get to take that creation out for a victory lap and see what else it can become.

I think that is one of Kingdom Legacy’s greatest strengths. That feeling of civilisation building.

By the time you reach Exploration, you’ve already made dozens of unique decisions that shaped your kingdom. You have watched opportunities come and go, suffered through disasters, stumbled into unexpected successes and built something that somehow feels distinctly yours. It’s just a deck of cards, yet it develops a surprising amount of personality.

That is also why Kingdom Legacy is so addictive.

The attachment is not really to the mechanics but to the story that emerges from your choices and micro experiences that feel great in solitude. You want to see what happens next, even if what happens next is another tax collector demanding resources you no longer have.

Exploration gives you exactly that. It hands you another toy box filled with new lands, new scoring opportunities and new cards to weave into your existing kingdom. It’s undeniably fun, and there is plenty to discover.

At the same time, I never felt that the expansion fundamentally refreshed the experience in some meaningful way. Unlike most expansions to games, there wasn’t this “oh wow, ok that changes everything” moment. It was basically the same game with new cards.

By the time your kingdom is fully developed, when you complete the base set, those additional rounds in the expansion feel more like extending a great evening than starting a brand new adventure. I enjoyed every minute of it, but there is an unavoidable sense that you are still playing with the same systems and the same ideas.

The best comparison I can think of is playing Magic: The Gathering with your favourite deck after adding a handful of exciting new cards. The deck is better, you have a few new tricks, and you are happy to keep playing it, but part of you is also looking forward to the next expansion that introduces an entirely new set and shakes everything up so that you can build new decks.

There were also a few moments that genuinely caught me off guard.

Without spoiling anything, Exploration hides several clever little surprises that feel almost like easter eggs for dedicated players. Those moments produced exactly the kind of grin that made me keep turning over cards long after I probably should have gone to bed.

The expansion also introduces some additional resources and gameplay elements. Whether these originated here or appeared in other expansions first, I can’t say, but they were new to me. They add some welcome variety and interesting decisions without dramatically changing the flow of the game.

I realise this entire section has been frustratingly vague, but that is the price of reviewing a legacy game without ruining the experience.

So let me keep the gameplay conclusion simple.

If you enjoyed Kingdom Legacie’s mechanics and addictive just one more turn nature, then Exploration is an easy recommendation. There is a huge amount of content packed into the box, plenty of new ways to develop your kingdom, lots of satisfying scoring combinations and a handful of genuinely delightful surprises waiting to be discovered. It never reinvented the game for me, but it absolutely reminded me why I enjoyed it so much in the first place.

Replayability and Longevity

Score: christmas_starchristmas_star
Tilt: christmas_starchristmas_star

 

Pros: The experience of building up your kingdom is dramatically enhanced by a large library of new cards to explore and add to your kingdom

Cons:  It’s too confined and short; you’ll finish this expansion in a single sitting, and then it’s over forever.

Replayability in a legacy game is always a slightly awkward subject because, technically speaking, there is none.

The game is designed to be played once, experienced once and then retired. It is an engine built with a finite amount of fuel; eventually, the tank runs dry.

Kingdom Legacy: Exploration is essentially an extra fuel tank bolted onto the side of the original game. It extends the journey, gives you more places to visit and more things to discover, but eventually you arrive at the same destination.

There is something genuinely satisfying about the finality of that experience. Picking up a kingdom that you thought was finished, dusting it off and giving it one last adventure feels surprisingly nostalgic. Your little collection of cards has history. You remember why that building is there, why that character survived and why you still refuse to forgive that one event card that nearly ruined everything.

The problem is that while the game’s end is satisfying, it’s not a game end where you’re done with the game forever.

One of the most common comments you will see about Kingdom Legacy is that everyone is trying to figure out how to avoid the legacy component. It’s just a bad fit for this game.

That is perhaps the greatest strength and the greatest weakness of Kingdom Legacy.

When you finish, your immediate reaction is not relief or closure. It is the overwhelming urge to shuffle everything up and play again, because that is what we do with games we love. Replayability is, after all, one of the defining reasons this hobby exists.

Thankfully, Kingdom Legacy offers a very easy way to bend the rules. Sleeve the cards, use removable markers and suddenly the entire legacy experience becomes reusable. It is not difficult to do, and it is absolutely the approach I would recommend to anyone buying the game.

However, I have to judge replayability based on the experience the designers intended, not the one clever players can engineer for themselves.

Viewed through that lens, Kingdom Legacy: Exploration is still a one-time journey. It is an excellent journey, a memorable one and a longer one than before, but once you reach the end of the road, there are no official turns left to take.

You can always get another expansion, though, so there is that.

Conclusion

As a system, as a gameplay mechanic and as an overall experience, I think Kingdom Legacy and Kingdom Legacy: Exploration are fantastic. I have absolutely no hesitation recommending them to anyone who enjoys card games and is looking for a satisfying solo experience.

In particular, if you enjoy engine-building games that capture the feeling of growing a tiny settlement into a thriving civilisation, Kingdom Legacy delivers that experience in abundance. Every new card feels like another chapter in the story of your kingdom, and that sense of progression remains one of the most addictive gameplay loops I have encountered in recent years.

That said, I would be remiss if I did not climb onto my soapbox for a couple of minutes.

The first issue is the legacy component itself.

I have never quite shaken the feeling that Kingdom Legacy does not actually want to be a legacy game. It is almost as if someone designed an excellent solo engine builder and then, somewhere late in development, another person walked into the room and declared, “What if we made players throw it away when they finish?”

Nothing about the underlying design really benefits from being disposable, and unlike most legacy games, Kingdom Legacy is too short to give you that sense of finality and closure when you’re done playing.

In fact, I would argue the opposite. Once you understand the systems and discover the different paths available, the natural instinct is to immediately start another campaign and try something completely different. The game is packed with meaningful choices and interesting combinations that beg to be explored.

That is the mark of a highly replayable game. Yet, by design, replayability is intentionally limited.

Yes, you can sleeve the cards and preserve everything, and I strongly recommend doing exactly that, but I still find the official approach to be an unnecessary restriction on an otherwise brilliant design.

The second issue is the continued use of AI-generated artwork.

I genuinely do not understand why publishers continue to ignore what has become one of the loudest conversations in modern board gaming. Whether you personally love AI art, hate it or fall somewhere in the middle, it is impossible to deny that a majority of the hobby simply does not want it in professionally published games.

Art is one of the cornerstones of board games; it is a thriving place of creativity and imagination, to trade that in for AI slop, which is all you will find in Kingdom Legacy, is a tragedy. This game deserves so much better!

It’s so unfortunate because beneath those visual shortcomings lies one of the most charming solo card games I have played in years. Kingdom Legacy: Exploration expands everything that already works, adds meaningful content and provides several genuinely memorable surprises without losing the addictive engine-building that makes the original so compelling.

FryxGames understands and is perfectly capable of producing great art for their games, as was illustrated in the amazing work done on Fate: Defenders of Grimheim. The use of AI in Kingdom Legacy was a conscious business decision, and FryxGames has been quite open about it, offering its own take and justification for its use. The debate regarding AI in board games is far from settled, though the most likely conclusion is that we will continue to see its use with increasing consistency.

For existing fans the recommendation is incredibly easy.

There is more kingdom here, more discoveries, more clever interactions and more reasons to spend another evening telling yourself, “Just one more turn.”

If, however, you’re protesting this game because it uses AI art, know that I get it; The publisher does as well. In fairness, the official position of the publisher is that it’s too expensive to have that much art in a small, cheap solo card game, and that very well may be the case and logic behind its use. That may even be sufficient justification, a reasonable excuse, but there are plenty of other ways to work around the cost associated with art; people have been printing games without AI art for a very long time. There are other solutions; this is not a new problem.

On The Table: White Castle

White Castle showed up on my Top 10 Favorite Games to Play on BGA list last week, and this little worker placement game has become something of an obsession lately. Today, I want to dig a bit deeper into what makes it such a special and truly unique worker placement game.

At its core, White Castle is a dice-driven worker placement game with a heavy focus on tight resource management and a healthy dose of engine building. In other words, it’s a pretty standard Euro game on paper. Nothing about that description should have veteran board gamers falling out of their chairs.

What’s interesting is that White Castle isn’t really the sort of game that normally lands in my wheelhouse. In fact, if you’ve spent any time reading this blog, or glanced at my Top 20 Games of All Time list, you’ll know that Euro games rarely make the cut. When one does, like Dune Imperium or Terraforming Mars, it’s usually because it has earned its keep at my table as one of the very best in the genre.

Terraforming Mars remains a gold standard for Euro games in my book. Through and through, it’s outstanding in every measurable way, the only complaint I have is I don’t play it as often as I would like to. Rich, deep, meaningful gameplay, it’s a masterpiece.

I realize that makes me sound like a bit of a board gaming snob. I promise that’s not the case. I’m perfectly capable of recognizing and appreciating a great game, Euro or otherwise, regardless of genre. It’s just that Euro games often leave me feeling a little cold. They’re usually clever, well-designed, and about as exciting as a tax spreadsheet.

When a Euro game grabs my attention, that says something. When it completely takes over my BGA play history, that says even more. White Castle has done exactly that. I genuinely believe it’s operating in the same league as the genre’s heavy hitters and deserves to be mentioned alongside some of the greats.

I’m still anxiously awaiting my physical copy, but it’s clear as day that this is a very pretty game, albeit a very busy game. I would definitely put it in the “gamers” game category.

There are two things in particular that stand out.

The first is its brilliant use of dice as communal workers that every player draws from. The second is the game’s razor-sharp efficiency. White Castle wastes absolutely nothing. Every action matters, every resource feels precious, and every turn leaves you wishing you had just one more action to pull off your master plan.

It’s a master class in game design.

The Dice Workers

Most worker placement games follow a pretty familiar formula. You have your own pool of workers, your opponents have theirs, and everyone competes for action spaces on the board. That’s the core of the mechanic and, in many games, that’s about where the story ends.

The more interesting examples tend to add something extra. Age of Empires gives players different worker types that create unique opportunities and decisions. Dune Imperium layers deck building and combat on top of its worker placement system, giving players multiple ways to approach the game and interact with one another.

That’s generally where I land on worker placement games. When the mechanic exists in isolation, I often find it a little dry. It’s not that games like Russian Railroads are bad. Far from it. They’re well-designed games with plenty of strategic depth. The problem, at least for me, is that the interaction between players often begins and ends with, “Well, you took the spot I wanted.”

I know that this is a worker placement fan favorite, but it did not fare well for me. It’s a game about railroads, yet they are barely featured in the game, and it’s just a plain, run-of-the-mill worker placement game with absolutetly nothing particularly interesting happening beyond that. It was, in a word, kind of boring.

As a result, many worker placement games start to feel a little one-dimensional over time. The better ones usually find a way to add some extra flavor, some additional layer that transforms the mechanic into something more engaging.

That’s where White Castle surprised me.

At its heart, it’s still a worker placement game. It hasn’t abandoned the formula. Instead, it takes the worker placement mechanic itself and twists it into something far more interesting through its use of communal dice.

The first thing that stands out is that the dice are shared by everyone. Just like the action spaces, the workers themselves are a limited resource. Suddenly, you’re not only competing for the spaces you want to use, but you’re also competing for the workers you want to use on them.

There are a lot of dynamics in White Castle, from the cards that make up the worker placement spots to the value of the dice, no two games are going to be the same, and there is no “base strategy” that is going to work. You really have to assess what is feasible and work with what’s on the table. It’s a new puzzle every time you play.

That alone would be clever, but White Castle goes several steps further.

Each die has three different characteristics that matter.

The first is its value. Depending on where you’re placing it, a high-value die might earn you resources (coins) while a low-value die could cost you precious coins. Sometimes the die you desperately want is also the die you can least afford.

The second is its color. Different locations on the board require different colored dice to activate, which means you’re not simply evaluating numbers. You’re evaluating colors, values, timing, resources, combos, and opportunity all at once.

Then there’s the position of the die on the bridge.

Dice on the right side generally have higher values, making them immediately attractive. Dice on the left, however, grant a secondary action that becomes increasingly valuable as the game progresses. The catch is that taking a die shifts the remaining dice along the bridge. Grab the wrong die, and you might accidentally serve up an incredible opportunity to the next player.

And that’s where White Castle starts to become fascinating.

Every decision feels loaded with consequences, for a worker placement, the interaction goes far beyond “you took my spot”.

Most mechanics are communal in White Castle, but each player does have their own player board where some of your engine-building elements are managed, including some elite spot you might, on occasion, be able to leverage.

Do you take the lower value die on the left to gain the bonus action? Can you afford the resource cost? Are you opening the door for another player to grab exactly what they need? Is there a chain of actions on the board that turns an average move into a great one?

These aren’t decisions you make once or twice during a game. They’re decisions you make every single turn.

What’s remarkable is how much depth emerges from such a simple idea. On paper, you’re just selecting a die and placing it on the board. In practice, every choice feels like a small puzzle packed with tradeoffs, risks, and opportunities.

It’s one of the most elegant worker placement systems I’ve seen in years.

In fact, I wouldn’t be surprised if this approach ends up influencing future designs. The idea of communal workers with multiple competing characteristics feels like a genuine step forward for the genre. White Castle takes one of board gaming’s oldest and most familiar mechanisms and somehow makes it feel fresh again.

I was trying to think of a game that White Castle might be compared to, and while it’s a bit of a stretch, it does remind me a little bit of The Red Cathedral.

It’s simply one of the most elegant and exciting worker placement mechanics I have seen come along in a board game in a long time, and I definitely think it’s going to become a thing. You are going to see this in a lot of worker placement games in the future. This is the next evolution of worker placement games.

Now, I should say that I don’t know that this mechanic originated in White Castle; there are tens of thousands of board games out there, so I don’t want to accidentally steal credit from someone by suggesting this is the first invention of its kind, odds are it probably isn’t. Suffice it to say, it’s the first time I have seen it in a game, and I think it’s fantastic.

The Efficiency

The other thing that makes White Castle stand out is just how unbelievably efficient the design is.

This game is tight. Not “Euro game tight.” Not “carefully balanced tight.” I’m talking about the kind of tight where every game feels like you’re attempting a speed run and constantly realizing you’re three moves away from greatness.

Most of the time, you’ll come up short somewhere. You’ll miss a resource, mistime an action, or discover that one seemingly harmless decision three turns ago has come back to haunt you. Then every once in a while, it all clicks together, and the result feels magical.

Without the expansion, you’ll take just nine actions during the entire game. Nine. That’s your whole game.

Nine opportunities to create the most efficient sequence of actions possible and somehow turn a handful of resources, workers, and bonuses into a winning score.

Despite having only 9 actions in a game, your first few play-throughs are going to feel very slow. There are a lot of interactive decisions; the depth here is pretty heavy. Once you get accustomed to the rhythm, though, this game can actually be quite fast. Analysis Paralysis however, is real in this game; people are going to get stuck.

At first, that sounds restrictive. In fact, during your first few games, it feels almost cruel. Some might bounce off the game for that reason, but stick with it because this game is so much more than what you discover on the surface. Surely nine actions can’t possibly be enough. And somehow they are.

What makes White Castle special is how many possibilities exist inside those nine actions. Every move has the potential to trigger another action, generate resources, set up future turns, or create scoring opportunities. The game constantly asks you to squeeze one more drop of value out of every decision.

It’s difficult to fully explain until you’ve experienced it yourself. White Castle is one of those rare games where you finish a session and immediately start replaying your turns in your head. Not because the game was frustrating, but because you can see the path so clearly in the aftermath. You can see where two or three tiny improvements would have transformed a good score into a great one.

That’s the mark of exceptional design.

Great game design isn’t just about knowing what to include. It’s also about knowing what to leave out. White Castle feels like a game that has been refined over and over again until every unnecessary piece was stripped away.

What’s left is a remarkably focused experience where every mechanism serves a purpose and every action matters.

It’s a design that’s elegant, balanced, and incredibly satisfying to explore.

Quite frankly, it’s a chef’s kiss.

Conclusion

I’ll be reviewing White Castle in the near future, but even before putting together a full review, I can already say this much with confidence.

This game is special.

In nearly twelve years of writing for Gamers Dungeon, very few games have seriously threatened a perfect 5 out of 5 score. In fact, only one game has ever achieved it: Blood Rage.

White Castle might just be the second. That’s not a statement I make lightly.

White Castle offers an expansion that is available on BGA called White Castle Matcha, and honestly, once you know the game and try this expansion, it will be hard to imagine playing without it. It’s one of those rare cases where it feels like this expansion probably should have been included in the base game. I didn’t think so at first, probably because I tried it too early, but it’s made me a believer!

If you’re a fan of Euro games, this should already be on your radar. If you’re a fan of worker placement games, it absolutely needs to be. White Castle takes a familiar genre and manages to make it feel fresh, challenging, and exciting again.

That’s a rare achievement.

This is one of the best worker placement games I’ve played in years.

And that’s not praise I hand out very often.

Gamefound: Syncanite Foundation Launches

Syncanite Foundation: Gamefound Crowdfunder

Early this year, through what can only be described as pure cosmic luck, I stumbled across a strange little gem called Syncanite Foundation. It did not take long before it crashed headfirst onto my list of the 20 Best Games, and honestly, it earned that spot in all the right ways.

What grabbed me immediately was just how different the game felt. Syncanite Foundation is packed with unusual mechanics, a stunning visual identity, and production values that practically scream passion project. Every system in the game feels soaked in lore and atmosphere, creating an experience where thematic gameplay and player interaction sit front and center. This is not a game where everyone quietly builds their own little engine in a corner. The table talk, tension, alliances, and betrayals are part of the experience.

I previously wrote a full review of the game and, spoiler alert, I absolutely loved it. That said, I did point out a few production issues at the time. Most of them were cosmetic rather than game-breaking, but there was clearly room for improvement.

Apparently, the creators agreed.

Since my review, the team behind Syncanite Foundation has been quietly working away behind the scenes, polishing and refining the experience piece by piece. All of that effort has now culminated in a brand new Gamefound campaign that has just gone live.

For existing fans, this is genuinely exciting stuff. For newcomers, though, I can already imagine the reaction. Looking at the mountain of information, updates, expansions, and extras attached to this project can feel a little like trying to decode alien technology. So, I figured I would put together a short article sharing my thoughts on the campaign, what stands out, and whether this strange and fascinating game deserves your attention.

Who is Syncanite Foundation For?

Before you even think about reaching for your wallet, I think it is important to talk about what Syncanite Foundation actually is and, more importantly, who it is for. Board games come in all shapes and sizes, and despite what marketing departments would love you to believe, not every game is meant for every table.

Syncanite Foundation is a big and elaborate experience; its mechanics are verbose and evolutionary, but above all else, confrontational. This is a take that game in it’s purest form.

In my opinion, Syncanite Foundation feels like an old school game wearing modern clothes. Beneath the slick mechanics and gorgeous presentation lurks something far meaner than your average cozy game night experience. This is not the sort of game that gently pats you on the back while everyone quietly builds an efficient engine and celebrates participation trophies.

No, this thing feels like an underground cage fight from an eighties action movie where somebody gets punched simply because they made eye contact at the wrong moment.

At its core, Syncanite Foundation is a deeply confrontational game. In fact, betrayal is not just part of the experience; it is practically the main course. Winning often feels less about building yourself up and more about dragging everyone else down into the mud before they can do the same to you. Alliances are temporary, trust is dangerous, and mercy is usually a tactical error.

Personally, that is exactly my kind of nonsense.

My gaming group consists of the sort of loud, whisky-swirling maniacs who treat social manipulation as a competitive sport, and Syncanite Foundation delivers that experience beautifully. It is an absolutely glorious asshole simulator, and I mean that as the highest possible compliment.

That said, I can absolutely see this bouncing off groups who prefer quieter Euro-style games where players peacefully push cubes around a board while calculating victory points in quiet contemplation, then shaking the victor’s hand in respectful admiration. No, after you’re done playing Syncanite Foundation, there are going to be some f-bombs.

Most people who regularly buy board games already know what kind of players they are and what kind of group they play with, so you probably already know whether this sounds amazing or horrifying.

If you enjoy games like A Game of Thrones: The Board Game, Diplomacy, Twilight Imperium, or classic Dune, then there is a very good chance Syncanite Foundation will click with you. Not because these games necessarily share mechanics or themes, but because they all thrive on tension, negotiation, manipulation, betrayals, desperate deals, and devastating double crosses.

Syncanite Foundation embraces all of that with absolute passionate enthusiasm, and that full commitment is exactly why you would buy this game.

What’s In The Box?

I usually prefer simple and elegant game design. Tight systems. Clean execution. Efficient components. My general philosophy is very much “keep it simple.”

There is, however, one major exception to that rule.

If I truly love a game, then all restraint immediately leaves my body. At that point, I want the deluxe version of everything. I want oversized components, absurd table presence, thematic nonsense, and enough accessories to make it look like a minor royal family financed the production. If possible, I would also like a live tiger sitting beside the table so I can pet it while making diplomatic threats in character.

Thankfully, the people behind Syncanite Foundation seem to understand this very specific form of board game insanity.

The funny thing is that even the core package already feels excessive in the best possible way. If you are completely new to the game and unsure whether you are about to become obsessed with it, the base version alone still delivers a ridiculously premium experience. Yes, it is a little expensive, but honestly, it costs about the same as one decent night out, and you are no doubt going to get far more entertainment out of this box than overpriced cocktails and regret.

The production quality is excellent, the presentation is gorgeous, and overall, the value feels genuinely strong.

Now, if you do decide to fully embrace the madness, there are a couple of add-ons I can easily recommend.

The Great Council Box is probably the standout. The premium game mat alone is a nice upgrade, but the real attraction is the expanded player count. It allows two additional players to join the chaos, which is absolutely worth it if you have a larger gaming group. Few things are more painful than gathering everyone together only to realize somebody has to either sit out because the table is full or you have to choose another game. Thankfully, Syncanite Foundation scales surprisingly well with more players, which only amplifies the tension, paranoia, and inevitable betrayals.

Then there are the Dignitary Packs, which add special character cards that give each player a little extra personality and flavor. These might sound minor on paper, but they add a surprising amount to the overall experience for a relatively small investment. It is the kind of addition that makes the game feel closer to the lore and just a little more personal and memorable.

The big talking point, however, is the new Crimson Protocol expansion.

This is the headline addition for the current Gamefound campaign, and while I have not had hands-on experience with it yet, I do find the direction extremely interesting.

Crimson Protocol is mainly focused on reigning in some of the chaos of the base game. From interviews with the designer, it’s clear that many compromises were made for playability in the core game, and the Crimson Protocol expansion is like a director’s cut.

One criticism sometimes aimed at Syncanite Foundation is that the game can occasionally feel a little wild and unpredictable. Certain random systems can create moments where everything spirals into glorious chaos, which is sometimes hilarious and sometimes feels like the universe personally decided to ruin your evening. House rules are not uncommon among experienced groups looking to tighten things up a bit.

Crimson Protocol appears to directly address that issue by introducing additional control over some of the game’s more chaotic elements. That sounds very appealing to me and I suspect many existing fans will feel the same way.

That said, there is probably a tradeoff here.

Syncanite Foundation is already a fairly dense and demanding game, and I would not be surprised if Crimson Protocol increases the complexity even further. If you are brand new to the game, I am not necessarily saying you should avoid it, especially since crowdfunding campaigns have a nasty habit of creating fear of missing out, but there is also something to be said for learning the core game first before diving into the deep end of the madness pool.

As for the rest of the extras, there is definitely some fun nonsense in there. The vinyl soundtrack is honestly kind of awesome purely on vibes alone, and the novel could be genuinely interesting if you enjoy digging into the lore. Beyond that, though, most of the remaining add-ons feel more like flavor than necessity.

Still, if you are already falling in love with the game, flavor is exactly the kind of irrational luxury purchase board gamers live for.

Very exciting stuff!